Getting a record deal could ruin your passion!

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Royston

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I have read many articles about bands that have made it all the way. Most seem to state that once they have to make music for a living, that they need to find a different outlet for a hobby or to simply relax. Many take up fishing (Roger Daltrey and many more), Golf (Huey Lewis and many more), Soccer (Oasis and Blur amongst others).

This seems to make sense to me, what do you home recording types think about this?
 
I was a full time musician for many years. Like any job, when you have to get up everyday and "work" it gets to be a drag. When I was on the road, hanging out in museums, libraries, even shopping malls felt like vacation (yeah I know being on the road sounds exotic).

I finally got a day job and only gigged/recorded on weekends - and music started to be fun again.

Even if you think you will make music your life, develope other skills and interests to fall back on - and more importantly to avoid being boring.
 
LOL Jeez ---- I've been working my as of for over 30 years and I havn't had time to take a vacation yet!!!

Roger .... fishing ...... to relax? Now there is a funny one. Roger owns one of the largest trout breeding farm businesses in the UK
 
Sjoko,

If you've not had a vaction in 30 years then who's the fool? You work to live not live to work!
 
What if your work is, and has always been, your passion? I still have to be dragged out of the studio kicking and screaming every night - well, every morning.

To be serious, I think I have had five vacations of more than 5 days in the last 16 years. But, I've been just about everywhere, seen a lot etc. So, I compensated for things by moving to what I think is one of the most beautiful places in the world, Santa Barbara. 5 minutes and I'm on the beach, 5 minutes and I'm in the mountains, 1/2 hour and I'm in the forest - things most other people have to travel to by plane.

Ehhhhhh I'm just a workaholic
 
I don't care how busy I get...

...or how fussy the clients can be, I've never found record engineering to be work! Studio business admin, maintenance, et al - sure, that's work!! But behind the console - pure fun!

(Unless the artist can't play, or tries to tell me how to do my job, or wants to swing from the rafters to get that vocal performance (and I don't HAVE any rafters!)... hmmm - come to think of it, maybe it IS work!!!!)

:D :D

Bruce
 
The only thing that can ruin the fun is people, especially those who have a big hand-out for themselves.

That reminds me, funny story, about 2 years ago. Bad example really, I lost my "cool".
A well known singer had to do something for MTV. He didn't want to, but management .......etc.
It was to be a "without the band" kinda thing, so he asked me to help him put together a backing track and mix it down - a day before. When I got to the studio I asked him to phone the production team for the program in question at MTV, and find out some detail, what media they wanted it on, the level they wanted it mixed to, with or without compression, if we could bring our own mic and pre amp etc. First he found it difficult to get through. Then he talked to someone who really didn't know but pretended she did, and while he repeated her answers to me, I was saying "bullshit! Get someone who knows on the line, ask for the sound person!". 15 minutes wait, the guy in question was paged. He came on the phone with a "WHAT!". The artist got a bit upset, and told him he was taking me along to do his sound. Answer, No way!, I can't just let anyone do this, this is a professional's job. He explained who I was, but that didn't make a difference. Also didn't get a response on any of his other questions. So, he handed the phone to me. I really tried to be nice, I tried, I tried. But the guy was a complete asshole. One of the things he barked was "bring me a tape up to the level, that will show me you know what you are doing. Nobody can even do that." Also I couldn't bring the artist's own mic or pre-amp, and I was not to tell him what effect to use on his voice, actually, I wasn't allowed anywhere near the control room.

OK - I put a mix on DAT. As there was no live band, we made the track a bit synth heavy, so not to pretend there was a band. You can do funny stuff with synths.
I put 2 mixes on the DAT. The first was, as requested, proof that I can get things "up to the level", the second the real thing.
The artist had already made up his mind that he wasn't going to do the show, but he went there to give them an excuse, he'd find one there.
Apparently he walked in for a rehearsal, was told "give your tape to him", Him snatched the tape without saying a word, went to a control booth - and blew the monitors as well as 4 pairs of headphones..............
I managed to get a bit of a level......
They told the artist to wait until they had things fixed, but he said "sorry, can't, no time" and went home.
 
The late and great Randy Rhoads occupied himself with building model trains...

But you can get dishearted in other ways aswell. I know of a guy who wrote wonderful music (rock-ish) who got a deal but was never given any chance to get anywhere with it (the label didn't support them much at all) just because they didn't have the right looks... (he's asian).
So I think if you come into the music industry because you love music, the experience might not be what you have expected. It's all business.
 
Regardless of how you make a living, it's important to have many different interests. You never know when you may not be able to do one of them, so it's good to have something you can fall back on.

dave @ kathode ray
www.indiebiz.com - free promo tips for musicians
 
Couple of years ago, part of my job was to review CD's and concerts. Every week there would be between 20-60 CD's piling up in my 'inbox' at work. Live shows, concerts, would be between one and four a week. Up until i started this job my life had been nothing but music music music: playing in bands, working extra at a jazz/blues joint as sound/light guy, four years studying music and media etc etc. I never thought i could get enough of music - man, was i wrong... When i realized what was happening i decided to take some serious time off and travel. The first year i totally forgot about music and even stopped listening to CD's for a long while. I went to some live shows to see some friends play, but that was it. It actually took me about two years to truly appreciate music again.

Doesn't matter if you're recording, playing, writing, or whatever as a fulltime occupation. At some point it will feel like you 'have to do it...'. I guess you need to balance things to make it work in the long run. I know that now, but back then... Towards the end those CD's piling up reminded me of doing the dishes... "Maaaan, i did this yesterday....arghhhh!!!". Some, CD's that people had spent time, engergy, heart & soul to put together. It was a sick situation.

micmac
 
Well I would like to be able to pay my bills doing just music. Now I work all day and there is little time left to be creative (and not tired). But i guess like anything, its fun untill it becomes a must, thats human nature for you. The best would be to be sponsored I think and not dependent.... ok, and now off to the bar
 
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