Nothing beats the sound of a really good bass ... with newer strings (but well broken in) ... using the right settings / dialed in the right way.
That's really the only way to start. Run that through an A/B splitter. Run one split in to an amp, and mic that up. Run the other direct. Phase-align the two, and mix them to taste. If you'd like, you can try rolling some of the low end off the DI track ... starting around 60/70 hz, and just roll it off on a real gentle slope and see if that helps any. But really, the idea is to use the balance of the two tracks as a natural EQ ... bringing the DI track up or down for more (or less) low end ... and bringing up the mike'd track for more midrange.
One of the tricks that very rarely fails is some additive EQ at around 800 hz. That seems to be sort of a magical thing that almost always works when you need the bass to cut through a little more.
That's really the only way to start. Run that through an A/B splitter. Run one split in to an amp, and mic that up. Run the other direct. Phase-align the two, and mix them to taste. If you'd like, you can try rolling some of the low end off the DI track ... starting around 60/70 hz, and just roll it off on a real gentle slope and see if that helps any. But really, the idea is to use the balance of the two tracks as a natural EQ ... bringing the DI track up or down for more (or less) low end ... and bringing up the mike'd track for more midrange.
One of the tricks that very rarely fails is some additive EQ at around 800 hz. That seems to be sort of a magical thing that almost always works when you need the bass to cut through a little more.