I always use electric strings on my acoustic guitar. I think it makes the guitar sound a little like one of those old resonator guitars. Wire on a trashcan.
Electric strings are designed for a particular use - to vibrate a ferric mass in front of a magnet to create a tiny electric field that is shuttled into a box with all sorts of nonsense going on and ends up getting magnified a frightening amount. So the engineers figured "Hey - if that's all they do, then, well, let's make them quiet, comfortable and fast." So the flat wound string was born. What a great thing for an electric guitar.
Acoustic strings are designed for a particular use - to vibrate strongly enough to pull a square foot of reinforced spruce back and forth fast enough so you can hear the air it displaces at the other end of the concert hall - without a mic. Their design takes advantage of the "use it or lose it" theory of acoustics. So the engineers figured "Hey - if they have to do that much, then, well, let's make them heavier, use a hexagonal core, wind them with phosphor bronze at high tension so their mass is frontloaded - and oh, well, let's make them comfortable and quiet too." So the bronze wound high density coated acoustic string was born.
Ya just don't put a clarinet reed in a sax. Don't put electric strings on an acoustic - they'll sound like yesterday's leftover oatmeal tastes.
Electric strings are designed for a particular use - to vibrate a ferric mass in front of a magnet to create a tiny electric field that is shuttled into a box with all sorts of nonsense going on and ends up getting magnified a frightening amount. So the engineers figured "Hey - if that's all they do, then, well, let's make them quiet, comfortable and fast." So the flat wound string was born. What a great thing for an electric guitar.
Acoustic strings are designed for a particular use - to vibrate strongly enough to pull a square foot of reinforced spruce back and forth fast enough so you can hear the air it displaces at the other end of the concert hall - without a mic. Their design takes advantage of the "use it or lose it" theory of acoustics. So the engineers figured "Hey - if they have to do that much, then, well, let's make them heavier, use a hexagonal core, wind them with phosphor bronze at high tension so their mass is frontloaded - and oh, well, let's make them comfortable and quiet too." So the bronze wound high density coated acoustic string was born.
Ya just don't put a clarinet reed in a sax. Don't put electric strings on an acoustic - they'll sound like yesterday's leftover oatmeal tastes.