Re: Re: A Long, Slow Download Later
IanW-UK said:
Thanks again Chris. I expect u are right about the bass. I'll stick a high pass on it (there's nothing on it at the mo) then I guess i'll be able to hear if it needs more definition by whether it still cuts or not.
If the following sounds insultingly simple, I apologize, but I like this piece a lot. In addition to the filter, do this if you haven't:
burn a copy of this onto CD, and play it on your home stereo and maybe in your car, if you have one. Normal systems (car, home audio) boost the crap out of the lows and the highs, right? I did this with your tune, and the lows had nowhere to go other than into the shitty world of distortion. I'm getting sounds that reflect weird subharmonic distortion...like none of the lows were rolled off of the guitar and/or bass, so those frequencies are just piling up. Unfortunately, my monitors don't really respond below 50Hz, so I have to do this with all of my mixes.
The other thing, since this is a cover, is to just do a visual A/B of the Timmons version and yours on a regular stereo EQ graph. I haven't done this yet with your tune, but I'd be willing to bet that on the commercial cut, you're gonna' see a sharp dropoff below about 63Hz, and on yours...no such dropoff. If anything, I think yours might actually get louder the lower you go.
Mixing the lows correctly is BY FAR the most difficult part for me. If you were using all synth instruments, it's not that hard, but you're recording stuff that you cannot necessarily hear (guitar lows and bass low lows). To mix it properly, I have to turn it up REALLY REALLY loud to make sure that the lows that you can't hear aren't going to break windows when played in your car.
Again, I don't want this to sound condescending at all...it's just that these are things I've learned in the last month or so, and they helped me a lot, so maybe you can get some use out of it.
Later,
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