the second...everytime i have gone into a studio, i go ahead and lay down the drum tracks and then when the engineer would mix, i would pick a snare for the snare and a kick for the kick through his trigger modules. somehow (what i want to figure out) he would play the tracks and as the module read kick and snare hits, it would lay them down simultaniously onto another track so that i would have one real snare track and another trigger track. that way i could blend the real snare with the trigger and get some real awesome kick and snare tones. so now can you help me?
thanks