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Dr_simon
New member
Three questions that are killing me ....
1) Is their any difference in quality between AES-UBU and S/P DIF ? Do the same ideas about balanced and unbalanced cable apply to digital as well as analogue signal ?
2) I have just got a digital patch bay (ST Audio). When I use the optical input to receive S/P DIF coded signal (via an M-audio coax-optical converter) from: Pod Pro, Bass Pod pro or GNX2 and relay it to SONAR, it sounds fine. Connecting any of the above to the patch bay via the AES-UBU also sounds fine. However, if I connect any of the above (using a 75 ohm digital cable) to the patch bay via the S/P DIF coaxial input it sounds dreadful (squeekks, pops, dropouts blurrrg !) . I have checked the cable and it is fine !
I have taken care matched all the output sample rates and bit depths.
I think this bit of kit is broken....or am I missing something.
And......3) What is the impediance of standard Lo-Z mic cable and can it be used to connect AES-UBU devices with out causing them to explode !
Cheers
Simon
1) Is their any difference in quality between AES-UBU and S/P DIF ? Do the same ideas about balanced and unbalanced cable apply to digital as well as analogue signal ?
2) I have just got a digital patch bay (ST Audio). When I use the optical input to receive S/P DIF coded signal (via an M-audio coax-optical converter) from: Pod Pro, Bass Pod pro or GNX2 and relay it to SONAR, it sounds fine. Connecting any of the above to the patch bay via the AES-UBU also sounds fine. However, if I connect any of the above (using a 75 ohm digital cable) to the patch bay via the S/P DIF coaxial input it sounds dreadful (squeekks, pops, dropouts blurrrg !) . I have checked the cable and it is fine !
I have taken care matched all the output sample rates and bit depths.
I think this bit of kit is broken....or am I missing something.
And......3) What is the impediance of standard Lo-Z mic cable and can it be used to connect AES-UBU devices with out causing them to explode !
Cheers
Simon