Crisp distortion and clean guitar sounds???

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jbenishek

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Hi, i have been doing recording for just a little bit more than two months now and have figured out a lot of stuff in a little time. I have everything sounding okay except for gutairs (mainly distorted guitars). The sound isnt horrible, but i want to tweak them even more so. AFter i ad eq and some compression, it is a little bit cleaner, but how do i get my distortion to sound sharp and crisp? ARe there any other tricks? What do you guys do to get a killer guitar sound? Thanks for your imput, J
 
I would have to say don't use EQ, make it sound right before you record. A touch of reverb should smooth it out. Maybe dub you guitar tracks for thickness, or use a slight delay for a different version of the same effect.

Sharp and crisp. That to me almost sounds like a pedal straight into the board. Say a BigMuff DIed with maybe a bit of compression and a tad of reverb. I like it...personal preference...for somethings...

Then there is always the mic-ing of a Marshall....................
 
This might not be something you want to hear but....

If you tryout a portable Marshall MS-2...the one with a 2" speaker and belt clip that runs on batteries, with a Volume, Tone, OFF/CLEAN/OD knobs...output the headphone signal into your recording equipment and maybe compress or reverb it a bit. That is a TIGHT sound if you work it right. Maybe not the best for intricate hard/soft picking for breakup, but for a all-out-sonic-power-fest, its worth the 40 bux.
 
it'll help if you tell us "how" you're recording...generally speaking, us guitarists tend to use too much distortion when recording...the "ears" perceive distortion quite differently than a microphone--a mic picks up distortion really well, as does most every recording medium...so, whether you're using a mic or not you might try a little less distortion.
 
for a big distorted guitar sound
I use 2 mics SM57 as close as pocible to the grill, an a Oktava cond like 6" from the grill.
the 57 is realy sharp, and the oktava has a realy full sound.

toyL is right, back of the gain
 
One word dude.......POD! alot of people love it and alot of people don't but i love it! want to here how good it is? www.nowhereradio.com/zeke/singles both of these songs where recorded useing the pod. i recorded them like this: guitar---into----pod----into---art tbs preamp---berhinger composer pro---berhinger ultra graph pro eq---into the recorder (vf16)

where to buy the pod? www.musiciansfriend.com
www.interstatemusic.com
www.8thstreetmusic.com
www.americanmusical.com

ZEKE

" I will make your hair turn gray!"
 
ZEKE SAYER said:
guitar---into----pod----into---art tbs preamp---berhinger composer pro---berhinger ultra graph pro eq---into the recorder (vf16)

Thats quite a signal chain dude - why do you use the Art pre and Behringer composer? Maybe its just me, but they wouldn't seem to add much to it.

I can understand teh EQ, but most people use EQ after recording.

I'm just curious why you do it the way you do?
 
I agree with using an amp modeler. You can get a wide variety of sounds, and depending on your setup, you can monitor a wet signal but record a dry signal. That way you can modifiy it on playback in context with the rest of the mix.
I use a Digitech.
 
Well, I agree with whoever said that it would be helpful to know how you are trying to record.

Also - what "kind" of distortion, etc. are you looking for? There's a big difference between Stevie Ray Vaughn's distortion and that of Dimebag Darrell's... :D
 
Neil Ogilvie said:
Thats quite a signal chain dude - why do you use the Art pre and Behringer composer? Maybe its just me, but they wouldn't seem to add much to it.

I can understand teh EQ, but most people use EQ after recording.

I'm just curious why you do it the way you do?

i use the eq only because my vf16's eq won't go down to 20hz. (the lows are fixed at 100hz :( ) And the compresser is used to keep the level under control. The art tbs add alot of "warth" and Phatness"
 
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