Boy, for a guy who's not even willing to participate, you sure are pushy!
OK, here's my progress report - I located the tab/sheet music for space oddity, lifted out of a guitar mag several years back. So that should be helpful.
I'm still waiting for suggestions for one more cover tune. I suggested Peace Frog a while back, just because it was chugging through my head at the time. I'd be up for anything, though. Maybe something a bit more organic, so we can use that mandolin, fiddle, etc., or we could save that for more of the original experimental stuff....
The Band
Auralmirage - electric blues guitar, ac guitar, djembe, digeredoo, bass guitar, random percussion, sitar.
Andyhix - ac. rhythm guitar, el. rhythm guitar, half-assed el. ld. guitar, harmonica, shaker eggs, triangle, ukulele, ld. vocals, and/or backing vocals (tenor-ish).
Up-fiddler - fiddle, el. bass, upright bass, mandolin
dave..... - Lead Guitar
dave.....'s wife - vocals
Clevodrummer - drums
It's not too late for someone else to jump in, too!
The process
What I typically do at home is record 4 tracks (say, a stereo drum track, bass, and guitar), then, I mix that down to 2 tracks on a seperate machine. And I have 2 more free tracks. Using this technique, I get basically 6 tracks, without ever losing stereo-ness.
In contrast, when you do the internal bounce (on one machine, all tracks that are bounced together, must be panned to the same place in the sound scene)
So, we could do something like that - the 6 track option, or, a combination of the two techniques. The real crux becomes whether or not we want the drums recorded in stereo or not. If we can be happy with mono drums, then that gives us a fair bit of more room. We could record 1 track of drums, 1 of bass, bounce them internally, and still have 3 tracks left to record on on the first tape. We could still do the stereo external bounce to a seperate machine to get 2 more tracks. Basically, then we would have 7 seperate instruments recorded, as opposed to only 5 (with drums in stereo and taking up 2 tracks).
So, all that being said, what does our esteemed drummer, Mr. Clevo think about it, both for Space Oddity and anything else we do. Can we get away with a single mono drum track, or would you feel short changed, that way? Regardless, how would you, Clevo, prefer to start? Someone could lay down a scratchtrack to a metronome, for you to follow, or you could simply play along with the CD at home, etc. I think for the other musicians sake, the sooner we can get the drums on tape, the better, though. So, what's your pleasure?