I compress the shit out of everything just to piss off the audio snobs.
As it should be!
I compress the shit out of everything just to piss off the audio snobs.
Everytime I try using compression on the final mix..it ruins the mix...
Step back. You're compressing a mix of different kinds of signals. Think about a) what's sticking out -in level (and perhaps tone, i.e. low end!) that might likely get grabbed. b) What shapes -time- (their envelopes- peaks, slower stuff?). Put those two together in your estimate as to what might happen.Everytime I try using compression on the final mix..it ruins the mix...it seemed to take away some of the clarity in that it subdued some instruments to the point where you coudln't here how they interacted with ther instruments. - so compression in that istance didn't work for me... i have used a touch of compression on individual instruments before the final mix with good results
Word to that.For me, if I'm going to use a master bus compressor, It goes on the master bus at the early stages of the mix so that you mix through it and all of the decisions made during the mix are made with the effects of the compressor in place, rather than slapping a compressor on at the end and finding that the whole mix is now completely different
Hell yes. 2:1 is far too hard (although 2:1 with 'no' to 'just a whisker' of gain reduction for the flavor of the compressor is perfectly reasonable), 8dB is off-the-charts too much.Now I'm obviously no expert, but 8dB of gain reduction at 2:1 seems a lot for compression on the whole song, no? The guy wasn't even talking about one song, he was talking generally.