I like guitar driven songs too - very cool guitslinger...
Here's what you can do though if you're not sure which way to go with the EQ, dynamic, and stereo balance...
Find the best songs of that genre from your music collection - best meaning the most listenableand whose sonic balance you like the best, then find a couple more like that from a different pop genre. Burn all of those songs, maybe 12-15 tunes, on a CD and put your song smack dab in the middle. Pop it in your car, drive around town for a couple of days and get a feel for how yours is different or how it is just as good. Give a copy of the CD to someone else too and have them do the same thing...then get some feedback.
Try to get some non-technical people and descriptions cooking - boomy, punchy, bright, harsh, boxy, warm, dull, etc. Once you get a notion of where the sound needs to be then you can get more technical details & repairs happening.
Off the top of my head I would agree with Cloneboy about tightening up the stereo field on the hi-hat & cymbols that's a huge spread you've got there. But it does create a type of movement and interest - I think it takes away from whatever lead instrument or melody or rhythm guitar you may have happening though, so I'd call it a distraction that the other instruments creating the interesting part of a particular movement should be the focus of.
Maybe what I'm saying is the mix 'arrangement' should be reviewed - you know that thing you worked so hard on already !
For example:
0:16 the lead guitar intro sounds like side of pick scraping winding of bass strings - distracting for me cause I'm wondering why you're not hitting the string square on. Minor detail non-guitarists probably don't care.
16:32 rhythm guitars come in & all hell breaks loose - cool ! cymbols are split in the stereo field but I don't really care cause of the hell thing has my attention.
33:1.05 lead guitar comes in and takes me into some other place but the cymbols spread from hell is still there - quit it I'm thinking ! I want to focus on the solo guitar - give me my attention back and quit robbing it with the cymbols...you get the idea

Also give me that focus on the guitar melody by making it breath more - larger than the crushed rhythm guitars - more open - more depth.
Stuff like that for the arrangement.
For the balance I pulled you instrumental into an app and looked at it with GlissEQ2 to see what was buggin me about the bass.
It looks like for most of the duration of the song there are some bass resonances that just stay put mostly for the entire song - the kick has a pretty huge resonance at about 50Hz - that would be ok but it doesn't breath - it just stays peaked out the whole time, same with some other major resonances at about 23Hz and 31Hz no breathing - just solid here's your bass handed to you on a platter. The drum machine (model# ?) needs to have some humanizing in there, I guess you could high-pass-filter it to roll some bass off but the real way is to make it breath more. I'll bet even takin a side-chain off the master buss and feedin it back to a kick compressor would even introduce a little variation on the kick.
Then about 1:29 a variation on the rhythm guitars comes in, very nice musically, except sonically there's a resonance at about 151Hz that just feels funny - tubby sortof...
So anyway - my 2cents - I'm not a pro like some of these other guys, the ones who have had the good suggestions I mean - but I can hear. So can your friends - take a poll - do blind tests like I suggested earlier - get some feedback - in other words do exactly what you're doing !
