
slidey
New member
it does go to 12
I just had a closer look at the pic
I just had a closer look at the pic

Same here...not even a few lines to just to show you where your at.....Zaphod B said:My Vox has no numbers on the pots whatsoever. I hadn't even thought of it 'till now.![]()
We don't need no stinkin' numbers!Dogman said:Same here...not even a few lines to just to show you where your at.....
Zaphod B said:I am told that it's a design conceit from the very early days of stage amplification, when it was typical for the amp (or amps, if your band was fortunate enough to be able to afford more than one) to be placed near the front of the stage, rather than behind the performers. So the controls were placed in the back.
My Vox has the same layout. It's nutty but you get used to it quickly.
Yeah, that makes sense, too - same sort of situation.capnkid said:I heard that it comes from the "Big Band" days. Tommy Dorsey ect. When everyone sat on a bleacher-type stage and played thier instruments. The guitarists sat right behind thier amps, usually in the front row.
I wonder if the grill cloth had the Band leaders initials on it like the bass drum?
I really would't know.I've caught so much shit in my life for being fromez_willis said:but that's Alabama for ya.
SHEPPARDB. said:I really would't know.I've caught so much shit in my life for being from
Alabama that I have decided to be from California.
BTW, I was just taking a stab at peavey.The classic 30 is a great amp
for blues and some rock.
cephus said:I unplug the other end of the cable.
ez_willis said:This fucker doesn't have a standby switch either.
What do I need to get to eliminate the need to turn it on and off everytime I want to unplug the guitar, or swap a pedal?
Will an A/B box work, with nothing connected to the B side, or is there something better?
junplugged said:is the new classic 30 as good as the original? does it sound anything like the fender blues jr.?