J
Johnboy Walton
New member
My thoughts
Short answer to question above:
You don't.
Long answer:
"Flat" is a subjective quantity. It varies with listening position and listening level (among other things). And besides, "flat" usually refers to the frequency domain. So you could theoretically set a sound system to reproduce individual sine waves of equal amplitude perfectly from 5Hz to 50kHz, and call that flat. But what about transients? What about Inter-Modulation Distortion (sum and differences when you feed two or more sine waves at once)? This theoretical sound system won't necessarily do well in either of these tests.
And what about psychoacoustics? Is YOUR flat response the same as MY flat response? Blue Bear loves the KRK V8's. Other pros find them harsh. Who's right? Both, if they both turn out consistently good mixes.
As for compensating, it's an old trusim of signal processing that you can never get more information from a signal by processing. In other words, any change you make to a signal is by definition a degradation. That doesn't mean you're not getting rid of things you don't want or need. But is does mean that you cannot remove coloration in one processor that's been added earlier.
One other thing, regarding room tuning with an RTA and EQ. This will guarantee that flat system I mentioned above, but it also will not fix either transient response or IMD problems. You're better off using room treatment to kill room modes. This is one area in which I can tell my current setup is lacking. I just moved, and I know my room needs help to be able to mix well.
Oh, and to respond to the original topic, I LOVE listening to well-recorded material thru my monitors with everything as flat as it goes! And I really can't stand the less-well-mixed stuff. My two favorite in-car albums that I can't stand in the monitors are Offspring's "Conspiracy of One" and Rush's new one "Vapor Trails." "Conspiracy of One" is way over-compressed (but a lot of fun to listen to) and "Vapor Trails" has some annoying distortion on the vocals. But I still love the albums, just not at home!
Short answer to question above:
You don't.
Long answer:
"Flat" is a subjective quantity. It varies with listening position and listening level (among other things). And besides, "flat" usually refers to the frequency domain. So you could theoretically set a sound system to reproduce individual sine waves of equal amplitude perfectly from 5Hz to 50kHz, and call that flat. But what about transients? What about Inter-Modulation Distortion (sum and differences when you feed two or more sine waves at once)? This theoretical sound system won't necessarily do well in either of these tests.
And what about psychoacoustics? Is YOUR flat response the same as MY flat response? Blue Bear loves the KRK V8's. Other pros find them harsh. Who's right? Both, if they both turn out consistently good mixes.
As for compensating, it's an old trusim of signal processing that you can never get more information from a signal by processing. In other words, any change you make to a signal is by definition a degradation. That doesn't mean you're not getting rid of things you don't want or need. But is does mean that you cannot remove coloration in one processor that's been added earlier.
One other thing, regarding room tuning with an RTA and EQ. This will guarantee that flat system I mentioned above, but it also will not fix either transient response or IMD problems. You're better off using room treatment to kill room modes. This is one area in which I can tell my current setup is lacking. I just moved, and I know my room needs help to be able to mix well.
Oh, and to respond to the original topic, I LOVE listening to well-recorded material thru my monitors with everything as flat as it goes! And I really can't stand the less-well-mixed stuff. My two favorite in-car albums that I can't stand in the monitors are Offspring's "Conspiracy of One" and Rush's new one "Vapor Trails." "Conspiracy of One" is way over-compressed (but a lot of fun to listen to) and "Vapor Trails" has some annoying distortion on the vocals. But I still love the albums, just not at home!