When compressing all drum tracks together and sliding the compressed signal underneath the normal drum tracks to give them more "oomph", would you also compress the cymbals?
If you're talking about parallel compression, the easy answer is to try it and see if you like it. It's totally dependent on the drum arrangement, cymbal sound/definition/volume, amount and style of compression and the song itself.
I would go as far as to say that *if* the overheads were included in the mult, the settings would probably differ from those if they weren't.
I find when doing the parrallel compression sometimes if I include the overheads in the buss to the compressor, when mixed back in with the dry drums the cymbals can sound a little phasey the harder you step on it. Not saying you shouldn't just be aware that you can get this type of artifact.
Only ever tried it once and left the cymbals out im sure. I never compress cymbals or hats. (dont even use a hat track)
Might try mild compression on cymbals next session though.
parallel, mult, "new york" compression, bus aux ratio mix master poop blah blah blah blah too many different terms for the same things! Thanks for the replies guys