I picked the things that I think are likely to be most useful out of that list---the SP B1 because it has a reputation for being a decent vocal mic (though I haven't tried it) and the AT2020 because it's the only non-large-diaphragm condenser in the list (it's a medium-diameter), and thus sounds pretty good on acoustic guitar, IMHO.
However, that list of mics is pretty much the exact opposite of the sorts of mics that I'd get if I were starting from scratch unless I were doing drum kit recording or live shows. Most of those mics are either dynamics or LDCs. If I were building a mic collection from scratch, I'd start with ribbons, add a couple of SDCs, and unless I needed to mic a kit, that would be about it.
I'd maybe get one tube LDC for variety, but beyond that, LDCs haven't impressed me in the slightest. And dynamics... well, I might have suggested them for some uses before I started using ribbons. I honestly haven't used them except for drums since then. I even use ribbons and LDCs for live shows, though I'll only use a ribbon if I'm the only one on it.
Ribbons offer fast transients like a condenser because of their extremely low element mass, but aren't as bad about picking up every little noise in your environment in my experience. IMHO, every home studio should have at least one ribbon mic, and with companies like Apex selling them for under $100, there's really no excuse anymore, IMHO. Really. Get a ribbon. You won't regret it.