O
orksnork
New member
sorry for such a big first post...
im spillover from recordingwebsite.com (doesnt move fast enough for me, not enough people)
right now i am using this mic set up (for drums)
beta 52 on kick
sm 57 on snare rack and floor toms
sometimes a pg 52 on floor tom
and overheads that i do not wish to use ever again because they do not sound very well to me...
i just picked up an audio technica 3035 for vocals, acoustic guitars, and such...
i've been told this ldc is great, and from what ive heard it does wonders, and is very versatile, and works well with a lot of voices...
i am perhaps looking for a mic that's somewhere in between a 52 and a 57 for the toms...
something a little fatter than the 57 and a little fuller, warmer...
my snare sound is coming out pretty well... so im happy with the 57 for now
im in love with the beta 52
but what should i do for overheads...
there's a lot of different opinions so ill make my situation as clear as possible for my use...
the overheads arent going to be used as "room mics" as such...
these are for moderatly close mic'ing to cymbals to pick them up...
the room isnt great sounding...so i like to keep it more to the kit sound
ive tried a few different mics and im not really enthralled with the sound im getting
im guessing i have to step up to some sdc's...
let me know what you guys think...
toms and cymbals are my main concern right now...
any other opinions or ideas...please let me know
thanks
im spillover from recordingwebsite.com (doesnt move fast enough for me, not enough people)
right now i am using this mic set up (for drums)
beta 52 on kick
sm 57 on snare rack and floor toms
sometimes a pg 52 on floor tom
and overheads that i do not wish to use ever again because they do not sound very well to me...
i just picked up an audio technica 3035 for vocals, acoustic guitars, and such...
i've been told this ldc is great, and from what ive heard it does wonders, and is very versatile, and works well with a lot of voices...
i am perhaps looking for a mic that's somewhere in between a 52 and a 57 for the toms...
something a little fatter than the 57 and a little fuller, warmer...
my snare sound is coming out pretty well... so im happy with the 57 for now
im in love with the beta 52
but what should i do for overheads...
there's a lot of different opinions so ill make my situation as clear as possible for my use...
the overheads arent going to be used as "room mics" as such...
these are for moderatly close mic'ing to cymbals to pick them up...
the room isnt great sounding...so i like to keep it more to the kit sound
ive tried a few different mics and im not really enthralled with the sound im getting
im guessing i have to step up to some sdc's...
let me know what you guys think...
toms and cymbals are my main concern right now...
any other opinions or ideas...please let me know

thanks