I just did a session using a u195 for the kick.  I was a little worried.  Don't get me wrong that is an amazing mic.  If you can ever afford a few they are AMAZING on toms.  I can't stress that enough.
Anyway on the kick, I didn't like it so much at first....lots of leakage from the cymbals.   A blanket over it and rolling off some of the higher freqencies helped that.
The sound has really started to grow on me.  Great full TONE as opposed to most other KICK mics which I don't hear tone from...(just some dry punch and attack)  Of course tuning helps that a lot.  come to think of it, tuning is much more important than mic choice.
that said I've really liked 
the sennheiser e602.  Anything over the dreaded akg.  e602 is like $200 with a stand and cable on MF.
u195 is like $1200, but will sound great recording just about anything.
if anyone wants to hear a sample (im sure it's not in the orignal poster's budget) but for s & g's---
rough mix (yes that means this sample is probably completely worthless, but at rough mixes I'm already pretty happy with it)some scratch guitars. (can you say intonation problems) and a bass player playing wrong notes yet to be fixed  (yeah)  no vocals yet either.
pres: snare, kick and toms are though the vintech 4 channel 1073 copy, under snare and hat are though the vintech 1272 copy, and the ohs are through the rnp.
The bass drum might sound hot...I mixed it a little loud so you could hear the tone.  BTW it's an ocdp custom set in a big open non-studio room.
it's at: 
I may have something with the u195 on toms if anyone cares.