Farview Well-known member Nov 28, 2006 #22 notCardio said: A couple of questions: So the 421 has extended lows, but does it also have extended highs? So it's more or less scooped? Click to expand... It has a strong 100hz thing and a different mid emphasis than a 57. notCardio said: I'm not sure exactly what you mean by thump and clank? Click to expand... Like an SVT. Lows and clanky upper mids. notCardio said: And what's the micing technique for the 4033, or on each, for that matter? Click to expand... Just put them in from of the speaker, if it sounds weird, move it.
notCardio said: A couple of questions: So the 421 has extended lows, but does it also have extended highs? So it's more or less scooped? Click to expand... It has a strong 100hz thing and a different mid emphasis than a 57. notCardio said: I'm not sure exactly what you mean by thump and clank? Click to expand... Like an SVT. Lows and clanky upper mids. notCardio said: And what's the micing technique for the 4033, or on each, for that matter? Click to expand... Just put them in from of the speaker, if it sounds weird, move it.
N notCardio I walk the line Nov 28, 2006 #23 4033 question Do you have to worry about diaphragm damage when positioning, or can it take pretty much whatever you're gonna do to it (placement-wise)?
4033 question Do you have to worry about diaphragm damage when positioning, or can it take pretty much whatever you're gonna do to it (placement-wise)?
Farview Well-known member Nov 28, 2006 #24 All those mics can take more than most cabinets can push out and certainly more volume than any sane person would attempt to record.
All those mics can take more than most cabinets can push out and certainly more volume than any sane person would attempt to record.