BULL'S HIT: Thanks for the listen. Top 40? Damn, there's one nobody's ever said about my stuff.
BDBDBUCK: Sorry bout the download. Thanks for putting up with it and thanks for the nice words.
POWDERFINGER: Thanks for your ears. And by the way, it ain't midi - it's actually an electric piano. I don't need fake crappy keyboard sounds... I have ACTUAL crappy keyboard sounds...
KHOMPY: Heh, I love your descriptions. "Drum stick through the watermelon." Yeah, there's a wide variety of percussion on this one, from loops and samples to me banging on a garbage can (I kid you not

). I don't believe there were any watermelons injured in the making of this song, but you never know - things got a little wild in the studio...
SABBATH: Jimmy Page.

Man, more unlikely comparisons! Thanks for the ears.
PHIL: No, you're not just hungover, it is left-heavy. I tried to balance it out as best I could but I just dug the way that thumping drum sounded when it was panned left aways. I moved some other things to the right to balance, but it still lists to the left a bit. Finally I just said fuck it - it's unbalanced.
BOYDRJ: Thanks for listening. Another vote against the keys. I kind of agree with you to an extent - I'd certainly rather have a hammond!
BOB: I'm gonna guess that you downloaded the first mix a few days ago (the one with almost no drums) and are just getting to it. I totally agree with you on the drums. Thanks!
TOM: I hear you on the sibilance. It's rough. I just have a very sibilant
voicebox and I'm constantly trying to minimize it while tracking. Thing is, my mic has exactly ONE sweet spot (about 6 inches away, dead-ass straight on - no up or down allowed). Any other position and I lose a lot of "fullness". I hate going through later and de-essing line by line but I usually end up doing it anyway.
But I have got to the point where, aside from lopping off some low end, I very rarely have to do any eqing to the vox - which means I must be getting somewhere.
Thanks everybody. I appreciate it muchly.
Chris