Another Mix Contest - Finally Here

  • Thread starter Thread starter guitar zero
  • Start date Start date
OK, I got poetic's take on the mixes. Here's how we judged them. I made a folder and labelled them mix 1 through mix 12. I randomly put each mix in so even I couldn't remember which one was which. I sent them to poetic for judging, and did my own judging here. These comments are a hybrid mix of what we heard.

Secondly, did anyone else notice that the drum tracks didn't line up perfectly? That may have been my fault, as I tried to figure out where they went in the mix, but they weren't lined up well. If you didn't do that yourself, mark yourself down one grade.

OK, here is what we heard.

Mix 1 (simman)
Pros: Vocals are upfront clear and warm. Individual levels are very good. Panning is excellent. Good kick drum. Nice lazy laid back drums. This mix had the best hard stop at 2:54. Some of the instruments rang through the hard stop. I think this is the only mix that caught that and cut them off.

Cons: Vocals are over de-essed, and maybe just a bit hot. Very first line "Well I woke up thith morning". Seems to be a timing issue with bass and kick. The kick seems a little behind the bass.

Overall: Really solid mix. Fix the lithpy vocals and this is a great mix.

Mix 2 (thebigredhotdog)
Pros: Good panning, vocals clear and up front. Good ending.

Cons: Where's the low end? Kick and bass are lost. Fiddle, dobro, and tele are so hot, can't hear the acoustic guitar or piano. Piano is a featured instrument in this song. Reverb seems excessive, especially on the dobro and tele.

Overall: Too much high and not enough low end makes this mix a little harsh. A bit over processed.

Mix 3 (timkroeger)
Pros: IMO this mix had the best snare sound, just right! Just the right amount of roominess to the drum mix. Also, the vocals are just right. They don't need much help, and it sounds like you left them pretty much alone.

Cons: Where's the kick? Dobro and tele seem a little low. Mix sounds a bit cramped and closed. Ending not great.

Overall: Solid mix, just needs to sound more open and 3 dimensional.

Mix 4 (D. Vincent)
Pros: Good instrument levels throughout. Good panning (except see below) nice wide mix. Kick and bass are solid. Vocals clear, present, not harsh. Reverb on vocals tastefully done. Can hear everything well.

Cons: Kick and bass maybe a bit too hot (just slightly). During the guitar solo, the piano is panned right on top of it. Separate those two and it will sound better. Rough ending.

Overall: Solid mix with a touch too much low end. Mix volume is low, but that's OK. Mastering is for later.

Mix 5 (trumpino 1)
Pros: Good kick. Snare sound is good, but... Panning is good

Cons: One big one- snare is way too loud, makes it hard to focus on anything else. The echo/reverb on the vocal makes it sound too processed for this genre.

Overall: Hard to tell with the snare so loud.

Mix 6 (dastrick)
Pros: Vocals sound decent

Cons: Very 2d mix, not panned well. No kick, bass too low. Weird stuff going on in the mids. Phasey sound on the fiddle. Piano is buried.

Overall: Needs more clarity, panning and balance of individual elements

Mix 7 (Robbie L)
Pros: Vocals are good. Panning is good. Mix is spacious sounding. Instrument levels generally good.

Cons: Overheads are too high, giving the whole mix a harsh sound. Kick is absent, bass too low.

Overall: Bring up the low end and tame the high end and this mix could be good.

Mix 8 (whitestrat)
Pros: Good vocals, nice and warm good reverb not overdone. Panning excellent, nice and wide mix. Instrument levels good, can hear everything. Good kick. Best acoustic guitar yet.

Cons: Drums could be panned wider, a bit narrow sounding. Ending a bit sloppy. Here's the biggest problem with this mix. There's something weird happening with the bass. Gives the mix a big low end rumbly droning sound.

Overall: Very good mix. Fix the bass problem and this might be a winner.
(P.S. of all your mixes, I liked the first one the best)

Mix 9 (izmanz)
Pros: Vocals sound good.

Cons: Levels not good. Tele, bass, kick, piano, dobro and fiddle all too soft.
Drums panned weird and too harsh sounding. Rough ending.

Overall: Unbalanced and lacking low end. Too much high end sizzle.

Mix 10 (Bulls Hit)
Pros: Insane. Bass is decent. Dobro is perfect.

Cons: Insane. Vocal FX really weird and not working. Fiddle has some weird chorus flange phase thing that doesn't sound good. Sloppy ending.

Overall: Wins the insanity award. On a normal scale, sorry, the vocals alone disqualify this mix. Some wacky effects.

Mix 11 (shortton pro)
Pros: Very crisp clear mix. Levels are mostly great. panning is great. Vocals sound great.

Cons: Drum overheads are too bright. I hear some faint echo on the dobro which sounds a little weird to me in a couple of spots. Piano too low.

Overall: Tame the highs in the overheads and this would be a very good mix.

Mix 12 (funkdaddy)
Pros: Vocals good. Fiddle good.

Cons: Dobro is distorted, doesn't sound right to my ear. Too much reverb muddying things up. Lacks clarity. Bass a little low, Kick is missing. Ending is sloppy, sloppy.

So now for the final results. It's amazing how close the notes I took were to the ones I got from poetic.

Honorable mention:

White Strat. Really good mix except for the bass problem which was glaring, and eliminated your mix from contention.

Robbie L. Fix the overhead harshness and you've got a good mix here.


Third Place: Timkroeger: Great job with the drums, by far my favorite drum mix. Just needs a little more stereo spread 3d-ness and this will sound great.

Second Place: simman: This mix was a clear winner if not for the lithpy vocals. Would have won easily without that. Could never send this to mastering without fixing that one thing. Otherwise great mix.

First Place: D. Vincent. Solid mix with no glaring errors except the ending could be tidied up a bit and lower the kick and bass a titch.

Thanks again to poetic for adding drums, and helping with the judging.

Hope you all had fun. I know I did. Hope this helps with your future mixing skills. After all that is the goal.

thanks for the tips, man. cool song 2 mix.
 
OK, I got poetic's take on the mixes. Here's how we judged them. I made a folder and labelled them mix 1 through mix 12. I randomly put each mix in so even I couldn't remember which one was which. I sent them to poetic for judging, and did my own judging here. These comments are a hybrid mix of what we heard.

Secondly, did anyone else notice that the drum tracks didn't line up perfectly? That may have been my fault, as I tried to figure out where they went in the mix, but they weren't lined up well. If you didn't do that yourself, mark yourself down one grade.

OK, here is what we heard.

Mix 1 (simman)
Pros: Vocals are upfront clear and warm. Individual levels are very good. Panning is excellent. Good kick drum. Nice lazy laid back drums. This mix had the best hard stop at 2:54. Some of the instruments rang through the hard stop. I think this is the only mix that caught that and cut them off.

Cons: Vocals are over de-essed, and maybe just a bit hot. Very first line "Well I woke up thith morning". Seems to be a timing issue with bass and kick. The kick seems a little behind the bass.

Overall: Really solid mix. Fix the lithpy vocals and this is a great mix.

Mix 2 (thebigredhotdog)
Pros: Good panning, vocals clear and up front. Good ending.

Cons: Where's the low end? Kick and bass are lost. Fiddle, dobro, and tele are so hot, can't hear the acoustic guitar or piano. Piano is a featured instrument in this song. Reverb seems excessive, especially on the dobro and tele.

Overall: Too much high and not enough low end makes this mix a little harsh. A bit over processed.

Mix 3 (timkroeger)
Pros: IMO this mix had the best snare sound, just right! Just the right amount of roominess to the drum mix. Also, the vocals are just right. They don't need much help, and it sounds like you left them pretty much alone.

Cons: Where's the kick? Dobro and tele seem a little low. Mix sounds a bit cramped and closed. Ending not great.

Overall: Solid mix, just needs to sound more open and 3 dimensional.

Mix 4 (D. Vincent)
Pros: Good instrument levels throughout. Good panning (except see below) nice wide mix. Kick and bass are solid. Vocals clear, present, not harsh. Reverb on vocals tastefully done. Can hear everything well.

Cons: Kick and bass maybe a bit too hot (just slightly). During the guitar solo, the piano is panned right on top of it. Separate those two and it will sound better. Rough ending.

Overall: Solid mix with a touch too much low end. Mix volume is low, but that's OK. Mastering is for later.

Mix 5 (trumpino 1)
Pros: Good kick. Snare sound is good, but... Panning is good

Cons: One big one- snare is way too loud, makes it hard to focus on anything else. The echo/reverb on the vocal makes it sound too processed for this genre.

Overall: Hard to tell with the snare so loud.

Mix 6 (dastrick)
Pros: Vocals sound decent

Cons: Very 2d mix, not panned well. No kick, bass too low. Weird stuff going on in the mids. Phasey sound on the fiddle. Piano is buried.

Overall: Needs more clarity, panning and balance of individual elements

Mix 7 (Robbie L)
Pros: Vocals are good. Panning is good. Mix is spacious sounding. Instrument levels generally good.

Cons: Overheads are too high, giving the whole mix a harsh sound. Kick is absent, bass too low.

Overall: Bring up the low end and tame the high end and this mix could be good.

Mix 8 (whitestrat)
Pros: Good vocals, nice and warm good reverb not overdone. Panning excellent, nice and wide mix. Instrument levels good, can hear everything. Good kick. Best acoustic guitar yet.

Cons: Drums could be panned wider, a bit narrow sounding. Ending a bit sloppy. Here's the biggest problem with this mix. There's something weird happening with the bass. Gives the mix a big low end rumbly droning sound.

Overall: Very good mix. Fix the bass problem and this might be a winner.
(P.S. of all your mixes, I liked the first one the best)

Mix 9 (izmanz)
Pros: Vocals sound good.

Cons: Levels not good. Tele, bass, kick, piano, dobro and fiddle all too soft.
Drums panned weird and too harsh sounding. Rough ending.

Overall: Unbalanced and lacking low end. Too much high end sizzle.

Mix 10 (Bulls Hit)
Pros: Insane. Bass is decent. Dobro is perfect.

Cons: Insane. Vocal FX really weird and not working. Fiddle has some weird chorus flange phase thing that doesn't sound good. Sloppy ending.

Overall: Wins the insanity award. On a normal scale, sorry, the vocals alone disqualify this mix. Some wacky effects.

Mix 11 (shortton pro)
Pros: Very crisp clear mix. Levels are mostly great. panning is great. Vocals sound great.

Cons: Drum overheads are too bright. I hear some faint echo on the dobro which sounds a little weird to me in a couple of spots. Piano too low.

Overall: Tame the highs in the overheads and this would be a very good mix.

Mix 12 (funkdaddy)
Pros: Vocals good. Fiddle good.

Cons: Dobro is distorted, doesn't sound right to my ear. Too much reverb muddying things up. Lacks clarity. Bass a little low, Kick is missing. Ending is sloppy, sloppy.

So now for the final results. It's amazing how close the notes I took were to the ones I got from poetic.

Honorable mention:

White Strat. Really good mix except for the bass problem which was glaring, and eliminated your mix from contention.

Robbie L. Fix the overhead harshness and you've got a good mix here.


Third Place: Timkroeger: Great job with the drums, by far my favorite drum mix. Just needs a little more stereo spread 3d-ness and this will sound great.

Second Place: simman: This mix was a clear winner if not for the lithpy vocals. Would have won easily without that. Could never send this to mastering without fixing that one thing. Otherwise great mix.

First Place: D. Vincent. Solid mix with no glaring errors except the ending could be tidied up a bit and lower the kick and bass a titch.

Thanks again to poetic for adding drums, and helping with the judging.

Hope you all had fun. I know I did. Hope this helps with your future mixing skills. After all that is the goal.

EDIT: sorry for the double post, there.
 
Hey thanks for posting. This is really good. Top three for sure, maybe even the best one yet. You lost the drum ending somehow and the tele solo may be a bit loud, but this is really good. Great hard stops, best yet. This one wins for best low end for sure. Bass and kick are just right to my ears.

that's wat am doing remixing it and see the outcome.

_________________________________
Black&WhiteStudios
www.blackandwhitestudiorecords.co.uk
 
I for one would love to hear how this was mixed. ITB? Console? Hybrid summing? Share please.

OK you asked so here you go. Long I know :eek: but it's more detail than you might want to know. If there is something else just let me know.

The mix was done totally ITB using Samplitude, a Focusrite Liquid Mix, & Lexicon PCM series reverbs. Would have loved to have gotten this into my studio and mix on my analog console.

**All compressors used were liquid mix emulations.

Drums:
Kick - Compressor:1176LN -17dB Thres, 4:1, 1.2 Attack, 1.0 release
EQ: +1.6@ 100, -18.2 @400, +5.8@3.5K
Snare - EQ: -11.8@254, +7.4@2116
Rack Tom - EQ: +6.1@115, -10.9@2.5K
OHs - Roll off -1.4@232, -8.6 @552, +2.3@ 4.8K, Roll off @ 10.5K

Bass:
Compressor: Millena SST-1 -30dB, 3:1, 2msec Attack, 132ms Release
EQ: -0.6@100, +1.2@277, +4.1@3.1K

Kick & Bass also sent to bus compressor - API2500

Acoustic Guitar:
Compressor LA-3A -10dB threshold - very little compression, just used to shape sound
EQ: Roll off @ 94, +12.6@5.1K
Effects: Stereo Chorus, Stereo Delay (12mSec L/75mSec R)
Pan: -5.5

Telecaster Guitar:
Compressor LA-3A -30dB threshold - very little compression, just used to shape sound
EQ: Roll off @165, +8.1@2K
Effects: Aux 1 - Reverb Lexicon PCM Vintage (Vocal) Plate
Pan: There is pan automation used to move this guitar to the center during the solo and back to ~2 o'clock

Piano:
Compressor: Focusrite Red -22dB Thres, 2:1 Ratio, Fast Attack, 240mSec Release
EQ: PulTec +2dB @7.2K
Effects: Aux 1 - Reverb Lexicon PCM Vintage (Vocal) Plate, Aux 2 Lexicon PCM small plate, Aux 3 - Lexicon PCM Room (small tiled)

Dobro:
EQ: Roll off @ 195, +1.5@5.1K
Effects: Aux 2 Lexicon PCM small plate

Fiddle:
EQ: Roll off @180, -5.5@474
Effects: Aux 3 - Lexicon PCM Room (small tiled)
Volume Autiomation

LD Vocal:
Renaissance Waves De-Esser: Freq 7.5K Range -14, Threshold -24.9 (These settings fix the vocal issue noted in GuitarZero's comments)
Compressor: Avalon 747, -22 Thres, 2:0 Ratio, Fast Attack, 4.7 Release
EQ: Roll Off @ 122, Roll Off @ 10.7K
Effects: Aux 1 Reverb Lexicon PCM Vintage (Vocal) Plate
Volume Automation as well

As for the kick & Bass not lining up, that is the result of timing/playing issues or possibly an artifact of all the fixes that were done prior to posting the tracks?? I do know that they are not consistant and I did not attempt to fix them. However, if you were my client and this was a paying gig I would have re-tracked (best fix) parts if possible and quantized the tracks as a last resort.
 
Dude, thanks for all of the feedback and tips. I know it took a lot of time and effort on your part (and Poetic) to put this thing together and listen to each one. It was a fun song to mix.

I've got lots of learning to do.:eek::D


Thanks again.
 
OK you asked so here you go. Long I know :eek: but it's more detail than you might want to know. If there is something else just let me know.

The mix was done totally ITB using Samplitude, a Focusrite Liquid Mix, & Lexicon PCM series reverbs. Would have loved to have gotten this into my studio and mix on my analog console.

**All compressors used were liquid mix emulations.

Drums:
Kick - Compressor:1176LN -17dB Thres, 4:1, 1.2 Attack, 1.0 release
EQ: +1.6@ 100, -18.2 @400, +5.8@3.5K
Snare - EQ: -11.8@254, +7.4@2116
Rack Tom - EQ: +6.1@115, -10.9@2.5K
OHs - Roll off -1.4@232, -8.6 @552, +2.3@ 4.8K, Roll off @ 10.5K

Bass:
Compressor: Millena SST-1 -30dB, 3:1, 2msec Attack, 132ms Release
EQ: -0.6@100, +1.2@277, +4.1@3.1K

Kick & Bass also sent to bus compressor - API2500

Acoustic Guitar:
Compressor LA-3A -10dB threshold - very little compression, just used to shape sound
EQ: Roll off @ 94, +12.6@5.1K
Effects: Stereo Chorus, Stereo Delay (12mSec L/75mSec R)
Pan: -5.5

Telecaster Guitar:
Compressor LA-3A -30dB threshold - very little compression, just used to shape sound
EQ: Roll off @165, +8.1@2K
Effects: Aux 1 - Reverb Lexicon PCM Vintage (Vocal) Plate
Pan: There is pan automation used to move this guitar to the center during the solo and back to ~2 o'clock

Piano:
Compressor: Focusrite Red -22dB Thres, 2:1 Ratio, Fast Attack, 240mSec Release
EQ: PulTec +2dB @7.2K
Effects: Aux 1 - Reverb Lexicon PCM Vintage (Vocal) Plate, Aux 2 Lexicon PCM small plate, Aux 3 - Lexicon PCM Room (small tiled)

Dobro:
EQ: Roll off @ 195, +1.5@5.1K
Effects: Aux 2 Lexicon PCM small plate

Fiddle:
EQ: Roll off @180, -5.5@474
Effects: Aux 3 - Lexicon PCM Room (small tiled)
Volume Autiomation

LD Vocal:
Renaissance Waves De-Esser: Freq 7.5K Range -14, Threshold -24.9 (These settings fix the vocal issue noted in GuitarZero's comments)
Compressor: Avalon 747, -22 Thres, 2:0 Ratio, Fast Attack, 4.7 Release
EQ: Roll Off @ 122, Roll Off @ 10.7K
Effects: Aux 1 Reverb Lexicon PCM Vintage (Vocal) Plate
Volume Automation as well

As for the kick & Bass not lining up, that is the result of timing/playing issues or possibly an artifact of all the fixes that were done prior to posting the tracks?? I do know that they are not consistant and I did not attempt to fix them. However, if you were my client and this was a paying gig I would have re-tracked (best fix) parts if possible and quantized the tracks as a last resort.

Yeah, I tried to mix this last night and the bass kick timing problems are in the tracks, not your fault. Sorry, I didn't realize it was that bad. Anyway, I'm having some patchbay/cable problems I'm trying to get fixed. I'll try to put up a mix too. Just got a bunch of new outboard comps I'm trying to use in a summing rig, but my Lord, the cabling has been a royal pain.
 
Yeah, I tried to mix this last night and the bass kick timing problems are in the tracks, not your fault. Sorry, I didn't realize it was that bad. Anyway, I'm having some patchbay/cable problems I'm trying to get fixed. I'll try to put up a mix too. Just got a bunch of new outboard comps I'm trying to use in a summing rig, but my Lord, the cabling has been a royal pain.

No worries. I don't know what your plan for the song is but it is such a good tune you might consider retracking some of the parts to fix the timing issues. you can quantize but I never really have had the same result.

Cabling on the other hand is always fun. I'm amazed at the amount of wire there is in a patch field (I currently use six 48 point bays). Hope it all works out and you don't have any noise issues. Now tracking noise problems down is a real pain in the you know what.
:spank:
 
Last edited:
No worries. I don't know what your plan for the song is but it is such a good tune you might consider retracking some of the parts to fix the timing issues. you can quantize but I never really have had the same result.

Cabling on the other hand is always fun. I'm amazed at the amount of wire there is in a patch field (I currently use six 48 point bays). Hope it all works out and you don't have any noise issues. Now tracking noise problems down is a real pain in the you know what.
:spank:
Nah, no re-tracking. This was a one night deal when everyone was home last Christmas. Did it for fun for my daughter-in-law's dad. He loves this song. Did a quick crappy mix, sans drums, and he loved it.

Now I'm just bored and trying to polish this turd and have some fun with it.
 
OK, finally figured out tonight that two of my D-Sub cables were switched. I had in to out and out to in. Totally messed with my mind for awhile. Anyway, it's all good now. Here's my mix:


Greg, let's hear yours.
 
Last edited:
Hey. Here is ma remix to the song hope I improved to the last one. http://www.box.net/shared/x6suuscmph thanks.
Bass is better, dobro is way better, fiddle way better. Drums sound OK. Tele is completely lost now, can hardly hear it at all. Piano same. Still hear some of the high end harshness, which I didn't realize until I mixed this myself, is coming from the snare track. The brush snare if left too loud sounds like someone is sweeping the floor right in front of you.

One thing I do that helps me with levels, is once I'm done with the mix, I turn it to mono and listen. If something is too loud it will stick out more, and if something is too soft, you won't be able to hear it with everything piled on top of it. Do that and listen for each element. If it's missing, go back and turn it up.

I just posted a mix of this. It's not perfect, but it will give you something to compare yours to. Simman's mix is a good one to compare to for levels, balance etc..
 
Bass is better, dobro is way better, fiddle way better. Drums sound OK. Tele is completely lost now, can hardly hear it at all. Piano same. Still hear some of the high end harshness, which I didn't realize until I mixed this myself, is coming from the snare track. The brush snare if left too loud sounds like someone is sweeping the floor right in front of you.

One thing I do that helps me with levels, is once I'm done with the mix, I turn it to mono and listen. If something is too loud it will stick out more, and if something is too soft, you won't be able to hear it with everything piled on top of it. Do that and listen for each element. If it's missing, go back and turn it up.

I just posted a mix of this. It's not perfect, but it will give you something to compare yours to. Simman's mix is a good one to compare to for levels, balance etc..

fair point of checking in mono, I will give it another go..
 
i listened back and holy crap, i was sizzling eggs. :mad: i did a very quick remix.
 
Bass is better, dobro is way better, fiddle way better. Drums sound OK. Tele is completely lost now, can hardly hear it at all. Piano same. Still hear some of the high end harshness, which I didn't realize until I mixed this myself, is coming from the snare track. The brush snare if left too loud sounds like someone is sweeping the floor right in front of you.

One thing I do that helps me with levels, is once I'm done with the mix, I turn it to mono and listen. If something is too loud it will stick out more, and if something is too soft, you won't be able to hear it with everything piled on top of it. Do that and listen for each element. If it's missing, go back and turn it up.

I just posted a mix of this. It's not perfect, but it will give you something to compare yours to. Simman's mix is a good one to compare to for levels, balance etc..

thanks gutar zero man 4 yo commemnts man and rher helping me loads, anyway here the remix http://www.box.net/shared/a9zj9biml6. thanks
 
this is a very good thread..it makes me feel warm...kudos to all those that took part
 
thanks gutar zero man 4 yo commemnts man and rher helping me loads, anyway here the remix http://www.box.net/shared/a9zj9biml6. thanks

Izman, this is way better than your first two. Nice work. I think mix contests are great. I've taken my lumps before, and it makes you better, which is what we all want. It's way easier to tell a good mix when you hear one than it is to take a bunch of tracks and make a good mix out of it.
 
Izman, this is way better than your first two. Nice work. I think mix contests are great. I've taken my lumps before, and it makes you better, which is what we all want. It's way easier to tell a good mix when you hear one than it is to take a bunch of tracks and make a good mix out of it.

Thanks!!! any way yo right mixing contests make pple better at their mixing as it is like practice. it would be better to have more contests like 1 contest a month, and maybe (prizes:p)optional of cos.:)
 
Back
Top