Lol. Fuck no. That's the worst profession ever. Still, I assumed that even n00bs know the definitions of simple terms that aren't even home-recording specific.
What does n00b mean anyway? I still interchange the words 'track' and 'channel' and have plenty of my own terminology that only means what it does to myself and people I work with. It's a perfectly legitimate question to clarify terms others frequently use. 'Analog' gets tossed around a lot and not necessarily all related to recorders and tape-vs-hard-drive like most people rightly assume it refers to (distortion pedals for instance). Just sayin man, no need to be rude, its the right forum for questions like this innit?
anyways
Just a little laymans definition, when it comes to a recording: analog theoretically sounds warmer and costs more. Digital is cheap.
Why does it sound 'warmer'?
When you listen to a CD you are listening to a digital recording, whether or not the origional was recorded with all the pure, cool vintagey awesome analog gear that makes it sound so warm and fuzzy etc etc, sooner or later it gets turned into 1's and 0's. What tracks on a master reel of tape have going for them is that they naturally compress the sound into the constraints of the tape's headroom, where as origional tracks recorded digitally don't have that added layer of niceness, they are cold, exact duplicates of the signal put in and brittle in that if it exceeds a certain level it 'clips' and sounds impossibly bad, wheras the same signal onto an analog tape would just scrunch up at the high and low thresholds which, when used in a small amount, is really nice sounding, letting everything sound nice and thick without sounding too 'processed'.
People who are big into analog sound don't necessarily use it because it is more pristine or clean, our ears aren't fine-tuned enough to recognize that given how high the pixellation is, its actually because a magnetic tape signal, when recorded up slightly above its headrome, kind of naturally compresses a tone, which is usually very strong sounding, but not harsh and precise like digital effect processor compression.