Those specs that were listed are widely available on the net. You could look them up. cjacek does know something about digital as do most here. I don't think that you need to be insulting anyone.
If you do not know the difference between a continuous and non-continuous function then I think you should read up on things a little before you offer an assumption of knowledge.
This is off topic from what I wanted this thread to be, but I will answer your questions.
If you do not know the difference between a continuous and non-continuous function then I think you should read up on things a little before you offer an assumption of knowledge.
Digital audio is very much continuous. It is represented as a series of values at a high sample rate. This we all know. If we left them as a series of delta functions, then indeed we would have what you call, rightly so, a non continuous signal. This signal contains the original audio, plus all sorts of garbage outside the intended frequency band. This junk is not harmonically related and sounds bad. To get rid of it, we pass it through an anti-aliasing filter on the DAC output, which is just a low pass filter. This is where upsampling comes into play, because we can digitally filter out some of that junk to give the analog filter an easier time. It then passes through an analog filter LPF, hopefully cutting out all the out of band garbage and passing through the
exact same signal that was recorded. This is the same continuous signal that was played into the ADC.
If more details are needed, I can give them. I'm not trying to prove that digital is perfect, but that the continuous/natural argument is not true.
I'm sorry. My comment on cjacek was a bit out of line. I have seen other comments he has made on other threads about digital vs analog that were 100% ridiculous, and I got the impression that he doesn't understand digital audio.
As far as useful goes, what use is your question to the analog only community? Are you planning on joining this community or are you just driving through?
My question is not to prove anything to the analog community. I am trying to get a clear understanding for myself of what the benefits of analog are, and why they are. Like I said before, if you really want to use something to its potential, you should know how it works so that you know the strengths and weaknesses of what you are using.
Specs? You want specs? How narrow of a view point. WE cannot measure the differences that make digital and analog sound different in its fullest. Heck, we don't even know what to measure. It's called psycoacoustics and I left my design manual for human audio perception at work.
Again, specs go beyond SNR and frequency response. I never said that digital sounds better than analog. This argument was brought up by people who took defense to a simple question (not with a simple answer).
And actually, we can measure quite well these differences. The audio band is extremely low fidelity compared to other signals that we have to deal with.
If we could define and measure what was going on we would have plug-ins that really did sound like tape. But, we don't do we.
Just because we can measure it doesn't mean that it's easy to recreate.
It seams to me that if you want to learn the differences you should drop the restrictions on what you want to hear and spend some time trying to understand what they mean. It comes across to me as an attitude problem. But then again that is just my impression and not the fact.
If I want to learn the differences, I'm not going to throw my hands up and say "hey, works for me!" I'm going to try to figure out why tape sounds the way it does. That is all. I'm not asking why tape sounds better or worse, but why it sounds the way it does.