I have been working in Premiere Pro on an old super 8 sound film soundtrack that was massively out of sync due to the fact that super 8 sync was always a pretend concept.
I've managed to sync up a lengthy set of dialogue only shots (about 5 minutes) by chopping the sound into numerous small pieces that will sync for a few seconds and adjusting the duration of each clip. The clip adjustment percentages go from 108% up to 111% in speed.
Now that the film is in sync with the audio I thought I'd try to lower the pitch of each clip back to 100% in audition, as this will not affect each clip's length - it will still be in sync.
I tried using this graph to determine the amount of pitch adjustment but it doesn't make sense to me because an 8% increase is 140 Cents - which is off the maximum of 100 in Audition (and much to great an adjustment) and way different than a ratio of 1.0842, which is an impossible number to enter in the ratio box.
Furthermore, making even a slight adjustment makes the sound waver at an unacceptable level. I might just leave it as is. Is this even possible?
Charles
I've managed to sync up a lengthy set of dialogue only shots (about 5 minutes) by chopping the sound into numerous small pieces that will sync for a few seconds and adjusting the duration of each clip. The clip adjustment percentages go from 108% up to 111% in speed.
Now that the film is in sync with the audio I thought I'd try to lower the pitch of each clip back to 100% in audition, as this will not affect each clip's length - it will still be in sync.
I tried using this graph to determine the amount of pitch adjustment but it doesn't make sense to me because an 8% increase is 140 Cents - which is off the maximum of 100 in Audition (and much to great an adjustment) and way different than a ratio of 1.0842, which is an impossible number to enter in the ratio box.
Furthermore, making even a slight adjustment makes the sound waver at an unacceptable level. I might just leave it as is. Is this even possible?
Charles