
captions87
New member
My band and I are set to record a slew of songs in the coming weeks. We're recording in our guitarist's garage, because that's the only spot we have. The sound isn't terrible live, but I'm guessing some aspects of it will not sound so pretty when recorded. As far as the drum tracks are concerned, specifically the kick and the overheads:
1.) We all like how the kick sounds in the room, so I'd like to experiment with a condenser about 5-6" from the middle of the kick to get that roomy tone along with the mic inside the drum. But I want to minimalize bleed from cymbals and other drums. I'm considering going with the tunnel approach but will that end up killing some of the room tone that we're trying to preserve? And...
2.) With the overheads, we're dealing with a low ceiling, with some LDCs. Would it be a good idea to try and dampen the ceiling? Or is that not as important as the reflections coming off of the walls?
We have two homemade panels that are 4' in height and about 8' in length, and we plan to make two more, along with adding some packing blankets.
1.) We all like how the kick sounds in the room, so I'd like to experiment with a condenser about 5-6" from the middle of the kick to get that roomy tone along with the mic inside the drum. But I want to minimalize bleed from cymbals and other drums. I'm considering going with the tunnel approach but will that end up killing some of the room tone that we're trying to preserve? And...
2.) With the overheads, we're dealing with a low ceiling, with some LDCs. Would it be a good idea to try and dampen the ceiling? Or is that not as important as the reflections coming off of the walls?
We have two homemade panels that are 4' in height and about 8' in length, and we plan to make two more, along with adding some packing blankets.