M
moresound
Loud Sun Studios
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NICE

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Excess music expressed through the "red butt" as a "destressor" of the primary protagonist requires large protrusions of bass and sub bass to excercise the orific, the woofer & its sub (limated) woofer confreres.
An ambit claim with an inssousant ambience will require aural intake with nothing less than open backed headphoes to allow the free flow of sound with outstanding waves in the seated zone.
Passengers will please refrain from taking and place their meal trays in the upright position prior to placing heads between their knees for the encore.
When the buzzer sounds and the banana bends, you've had it.
I prefer the red ones myself
Though the orange ones aren't bad.
At 7.34 I felt the piece lacked a certain j'n'c'est qualm.
Replete with the illustrations and the medical kit supplied I felt this was a pheasant surprise albeit somewhat under glass.
Was it the Tuff Monks who opined "Hammer the Hammer"?
Excess music expressed through the "red butt" as a "destressor" of the primary protagonist requires large protrusions of bass and sub bass to excercise the orific, the woofer & its sub (limated) woofer confreres.
An ambit claim with an inssousant ambience will require aural intake with nothing less than open backed headphoes to allow the free flow of sound with outstanding waves in the seated zone.
Passengers will please refrain from taking and place their meal trays in the upright position prior to placing heads between their knees for the encore.
When the buzzer sounds and the banana bends, you've had it.
I prefer the red ones myself
Though the orange ones aren't bad.
At 7.34 I felt the piece lacked a certain j'n'c'est qualm.
Replete with the illustrations and the medical kit supplied I felt this was a pheasant surprise albeit somewhat under glass.
Was it the Tuff Monks who opined "Hammer the Hammer"?
By god, if that don't explain it then I don't know what will. I was just wondering, and I know I don't really want to know the answer, but where exactly does the banana go? Please keep your answer to a minimum! But keep me informed, bydamned.
LMAO.. kc, you crack me up.
Cool stuff. Love the vocals.
The concern at 7.34 is that there is silence; as in something missing; that is to say the song ended. The length was/isn't a problem at all as I took the journey willingly and enjoyed it as a springboard to the keyboard.
Unfortunately KC, you have opened the door to the calcium cupboard! I am found out!
More interesting however is the Bowification of quotes relating to abstract art. I had great success with an abstract class just a week ago - one of the kids pulled out a 1st prize amongst almost 200 figurative entries. Not that I wanted the squids to relate art to prize winning - just that in the midst of my neobowie song mix I have a good lesson that leads to success for a student that ties in with you cutting criticism into art.
P.S. I love texture in red.
No one knows where the banana goes unless one is in the throws of having the banana go.
im on episode 8 of the 45 Monty Python original episodes...i dont find them lol funny anymore, but still strangely entertaining/compelling....I love seeing the outside shots of the UK back in the early 70s too....
Keith, have you been at that bottle of Merlot again or was it the CA sun you lapped up by the pool.....
Whatever it was, it made you throw up a very interesting electronic morsel. Yes, it's so dissonant it's close to jazz. Miles Davis's and jazz's appeal to me has always been equal to that of a chinese man eating a bowl of rice in....guess where? China! Yes one could view it as art, but in the end, what is art, when not the eyes and ears of the beholder? This is perfect as accompaniment to some wierd video (Hollywood take note.....).
Yeah, I was excited to find them in syndication recently, but forgot how bad many of the sketches actually were. Loved that stuff when I was like 13 or something. Still think their movies are great though.
I have listened to this a few times now. What is the Miles Davis connection? I really had a hard time getting past the singer. Once the beat kicked in around 2/3rds through I really liked the rest a lot (except for the return of the singer).
I guess I just need a beat to go along with something like this. I really enjoyed the last 1/3 of it though. Cool panning with all sorts of strange sounds coming at you from all around, yet more musical than the beginning. Rhythmically very interesting and probably one of my favorite parts to any of your tunes I've heard.
Porduction-wise it seemed excellent. A nice full and wide sound. Great clarity. I didn't even know there was a tune in this thread at first. Is that a painting of dingleberries in the first post?