A Challenge! Make this vocal fit.
- Thread starter JohnWatkins
- Start date
Fishmed
New member
Here is my try: View attachment Stone In Love.mp3
JohnWatkins
New member
Sorry I didn't respond to some of he previous posts. I stopped checking back after I posted the finished track in another thread. If anybody is interested and missed that thread, the final mix is here;
Fishmed, I like that yours has a really well-supported mid-range minus the harshness. What did you do?
Fishmed, I like that yours has a really well-supported mid-range minus the harshness. What did you do?
Fishmed
New member
I first ran the vocals through a modified LA-4. Then I used the following plug-ins: Melodyne to fix the pitch issues; I just got Nectar Elements when I upgraded to Sound Forge 11, so I used a preset from that plugin, and finally applied some reverb from Breverb 2.
JohnWatkins
New member
Cool. Thanks for taking the time.
Fishmed
New member
What was the process you used for the final mix?
JohnWatkins
New member
I used an Oxford EQ to notch it at 1khz and again at 2.8khz, the Cubase EQ to roll off the highs a half db from like 6k and up, put an LA-2A plug on it, then ran it through an outboard 1176, a JDK compressor and a JDK EQ (don't recall the settings), then printed that to a new track and tweaked it a hair more with a Pultec plugin and another 1176 (plugin). It then got EQ'd and compressed again with plugins on the vocal grouping and again through the outboard stuff when I printed through the summing amp. All the compressors were set to barely touch it. The automation was doing all the heavy lifting.
After all that effort, I don't think my attempt at it was as good as most of you guys. Oh well, I have three more tracks to mix so I'll have plenty of practice.
After all that effort, I don't think my attempt at it was as good as most of you guys. Oh well, I have three more tracks to mix so I'll have plenty of practice.
Fishmed
New member
I used an Oxford EQ to notch it at 1khz and again at 2.8khz, the Cubase EQ to roll off the highs a half db from like 6k and up, put an LA-2A plug on it, then ran it through an outboard 1176, a JDK compressor and a JDK EQ (don't recall the settings), then printed that to a new track and tweaked it a hair more with a Pultec plugin and another 1176 (plugin). It then got EQ'd and compressed again with plugins on the vocal grouping and again through the outboard stuff when I printed through the summing amp. All the compressors were set to barely touch it. The automation was doing all the heavy lifting.
After all that effort, I don't think my attempt at it was as good as most of you guys. Oh well, I have three more tracks to mix so I'll have plenty of practice.
Try this: Take the raw vocal track (no automation) and run it through your 1176 at 1:4 letting the peaks reach but not exceed -10 db and of course compensate the signal volume back to zero. Print the audio to a new track, add HPF @ 100hz, apply any needed EQ, and run it through your LA2A plug, adjusting to taste. Then add the reverb of your choice.
JohnWatkins
New member
Fishmed, I took your advice as a jumping off point for the next song I'm mixing with this same vocalist and it worked pretty well. I can certainly get away with a lot less automation and I was surprised to find that it didn't sound overly compressed even though I was hitting the 1176 pretty hard. I put a DeEsser on it at 5.6k and it's really close to done before any other EQ. Thanks for the perspective!
Fishmed
New member
Awesome! I can't wait to hear your finished mixes. Are you going to do a remix on Stone In Love? I would like to hear the difference between the two mixes. I have listen to some of your other covers and I think you have done a great job on them. With your monster guitar tone, you need to try and do Dr. Love by KISS. They did an increadible recording of that song on the second CD of their Sonic Boom project. I know you would knock it out ouf the park.
JohnWatkins
New member
Thanks for the nice comments. I'm going to try to leave Stone In Love alone at this point, because the amount of time I spend on mixes is already bordering on mental illness. The song I tried your suggestion on was another Benatar tune that this girl really wanted to do, so that'll be up on my Soundcloud page by this weekend. Still have to record the solo at the end. Also in the queue for mixdown (tracking done) I've got Carry On Wayward Son, Turn To Stone, and F-ing Perfect (by P!nk).
Thanks, listening back now on real monitors instead of iphone headphones I can hear pretty plainly what the OP is talking about. I look forward to trying more mixes and improving.
wonderful fine singing voice!! Trying to bring out the rudeness of voice and dynamics of the song. Should have had more tracks then it has become much better
https://dl.dropboxusercontent.com/u/9392261/Julie mix. Mix (By www.facebook.comTheOldSynth).mp3
https://dl.dropboxusercontent.com/u/9392261/Julie mix. Mix (By www.facebook.comTheOldSynth).mp3
Last edited:
Ove Karlsen
New member
I don´t know the genre so well, and thought it sounded like much others in the genre, so normal to me.
PS: Remember that mixing on poor D/A is senseless for midrange.
PBWY
PS: Remember that mixing on poor D/A is senseless for midrange.
PBWY
ashleyhanoman
New member
Dip the guitars in the middle (m/s) &/or sidechain the vox so the guitars get out of the way. A bit of CLA 2A maybe as well.
RockitHower
New member
i love the song!
TheChikenMaster
I'm Unbalanced
That was quite the difference
Crazy Luke
New member
If Anyone Wants to Trade Services, I Can Make Doubles for Your Single Vox Tracks
This was an old contest, but It was great practice for me to make her vocals sit on top of the mix, and to also practice my technique of making a double from a single vox recording. I use Melodyne to hand-craft a double of the original, and then make sure I don't have phase issues.
If you want this done for your projects, let me know - I might need your expertise on something, and we can trade services.
This was an old contest, but It was great practice for me to make her vocals sit on top of the mix, and to also practice my technique of making a double from a single vox recording. I use Melodyne to hand-craft a double of the original, and then make sure I don't have phase issues.
If you want this done for your projects, let me know - I might need your expertise on something, and we can trade services.