kyuss said:
Hi people,
Our band consists of three people (vocals/bass/guitar/drums)I have a cheap 4track yamaha tape deck and some shitty mics. We want to record a couple of songs as good as possible with this equipment. Any tips on the micing/recording/mixing? I would be very glad with all information how to get the best out of my stuff, Bob
PS. We play loud, does that make a difference in recording/mixing? We're also using the four tracks at the same time.
Hi Kyuss (I like the name man! They were awesome!)
1. What mic's do you have?
2. What 4-track?
3. How big of a drumkit? (is it two kick drums)?
These things can help us to help you!
Yes, playing loud WILL affect your recordings!
Here's What I would suggest:
1. Buy 3 pairs of headphones that are EXACTLY the same Model; they don't have to be super expensive models; just make sure that they are the kind that cover your whole ear, and not just the foam kind that sits on your ear.
2. Go here:
http://www.angelfire.com/fl/Brownsound/Headphonebox.html
This is my own little concept. I needed headphone extensions-and after going through a bunch of crappy ones-I decided to try and make some. These Work GREAT!
They allow you to use XLR Microphone cables for headphone extensions.
You'll probably only need two of them; that way you can hook up 3 headphones to 1 headphone output.
You could even buy a bigger "experimenter's box" and put 3 1/4" stero headphone jacks on 1 box.
I would suggest building 1 for the drummer alone-so that he can have his own headphone extension.
3. use ALL 4 of the mic's on the drums.
Plug the guitar and bass straight into the 4 track; these are scrap tracks that will allow you to "use the room" solely for the drums on the first pass.
Then, you and the bass player can go back and record your tracks through your amps.
BUT, if you're going to try to record 4 or more songs-and you want the same drumsound on all of them? You'll have to record all the songs drumparts first (while bass and guitar are going direct)
then go back and record the guitar and bass through the amps.
#1 rule-make SURE that the drumkit is tuned really well, and sounds great in the room.
The thing that most home 4-track recording lacks is quality REAL drums.
Normally, I would suggest a mic on the kick, a mic on the snare, and 1 cardioid overhead, about 1 foot above the drummers head (and I mean DIRECTLY over his head via a Boom mic stand), aimed it at the back of his heada little, so that there is less Cymbal pickup, and more "tom sound/overall kit."
Tim