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I am probably the only guy playing oak? Yamaha oak customs.. Yamaha hardware.. and UFIP Cymbals.

My only issue is that it doesnt quite sound chuggy enough.. how cna i increase the chug without having to increase the gain?

already making huge leaps.. i feel anyways.. check out this clip.... http://www.lightningmp3.com/live/file.php?fid=2745

yeah.. ive read about a quarter of it.. and am experimenting with things hes saying .... even just your tip of turning down the gay helps a lot.. it comes across as heavy as i want.. on the recoridng but doesnt sound as heavy in person as id like.. cool tip// thanks..

Thanks for the interest guys.. i started that thread once before.. its so long that i didnt wanna read it all unless it was good.. but now i will give it a shot again. The sound im looking for is sort of a heavy smooth sound.. i hate to say NU-METAL..... but sort of like a cross between that...

I am fairly new to recording... i should probably know a lot more then i do ..But there is so much out there.. and well.. i am an idiot. So anyways, this is my question. I have been struggling for a while with my miced guitar setup.. I just cant seem to get the recorded sound i want and its...

my guitar amp sound like crap.. because i need new tubes really bad... im not happy with my guitar sound with any mic..

thats what i liked about it.. was the punchiness of the drum sound.. not so much the guitar sound.. thats actually where i plan on using it.. mostly to get the kick.. i dont know.. i thought it sound good considering its just one mic picking up a room...

acid loops.

of course those drums sounded better... they are a pro mixed and recorded loop.. i just wanted to show the feel of the ribbon.. the guitar was recorded with the ribbon on both clips.. but it was just noce mic in the middle of the room on the second part.. i thought it was impressive

I posted the wrong clip completely.... here is the real one.. duhh... sorry im an idiot.. im ok with you hating on that clip.. that clip was nothing.. http://www.lightningmp3.com/live/file.php?fid=2732

if anybody needs to be critisized.. go to this guy.. he seems good at....

what does that even mean? I was just goofing around to test the mic....

So I recently purchased a NADY RSM-2 for 200$(shipped) brand new off ebay. I always hear how ribbons sound so different.. and are a really cool addition to any studio. My friend who i always record with came over and we had a little jam.. i just threw the ribbon on a mic stand about 5 feet from...

im pretty sure the B1 needs phantom power.. your sound card wont have that.

2 channels on the RNP or the one higher quality channel of the Grace... this preamp will get used for all sorts of things.. I have lots of decent mics... Rode NTK, SHURE SM7, 57's, SM81's ETC. I run into an edirol 101 firewire unit.. I have an RNC and an aphex 207 preamp.

I have recently bought an RNC and i am totally digging it.. but i feel the need to add a different flavour to my setup. I currently own and Aphex 207 preamp and an RNP is on the way. I have a pretty decent selection of mics (ntk, SM7, SM81's, SM57's, Nady ribbon mic.. etc) I am looking for a...

go on ebay for like 200 bones.. not too bad.

only the XT . not the other 160 models?

thats funny cause i was looking at those 2 exact kits... actually i was looking at the higher end mapex kit as well.. in the end i decided with the oak custom kit. mine sounds great.. the snare has such nice pop to it.. i spent about 1200$ on 4 symbals as well.. UFIP rocks.