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could you elaborate on what is right please :)

????? im a little lost lol, they wanted big and beefy and rrraaaaarrrrrrr, and they were happy with that track, and is this my attempt on the learning curve? or there's in your opinion?

:O is that why the levels are everywhere, i had no idea! lol dont blame you for the "simon" thing even though i dont know what it is, i've taken a good guess.

+1 i like to cut alot of high out of the bass, like really high, 15-18khz. only in some cases though.

hello, as you may or may not have read im currently doing a few tracks for a friends band , i sent them a sample and its turned up on myspace! there's some sparkle missing from the drums which i will blame on myspace, and the drums are quite heavily compressed (damm roland everything on 1 track)...

i feel stupid for asking now, should of figured that one out on my own lol. thanks, matt.

haha see i brought the beyer's beliveing they were 'flat respoce' in the sence you hear the music and absolutly no emphasism off the headphones, i have much to learn! and the sunny city of 100 dreams, yes.... walsall matt

so you would say the space/depth is innacurate? my mix's usually translate well to the odd devices i test the mix out on before mastering, and i've alwalys found the sub bass to be my let down and havent notice'd any spaceing issues, but i shall pay special attention in the future! thanks

hiiiyaaaaaaaaa!!!!! ok, so i've read a couple of post's saying mixing on headphones is a big nono, but i've been mixing with some beyerdynamic DT100's since i can remember, now as far as i understand (and this is why i invested in them) they are the industry standard in flat responce...

unplug your internet and spend more time experimenting with your mix?

good stuff ;)

i read i took in i forgot :P cheers

hey, i see your point with the friends paying friends thing, but ill be putting alot of time into getting this just right, they felt they owed me something for that time, and im not the brave man who will make a stand by turning good hard cash down lol i've been recording and mixing for years...

one of my first experiences in sound was doing exactly that, i had some cheap taccy acoustic, and a poundland microphone (a shop that has a random yet amazing range of product's that are horrid but are sold for a dollar would be your american equivalent if you dont have them?) and i wanted to...

hey, seems to me there's alot of advice here suggesting some gooood room treatment and so on, how i got around this was mixing headphones! DT100's to be precise, and i always check my mix during the mixing/mastering through a range of headphones ive aquired over the years my sterio, and even my...

thanks man, and nope this is allll me lol im hoping that will be an advantage as long as i can bare in mind what's going on throughout the project, i know the music well enough and have a few ideas for the finish, and im sure the band will chip in! that GOOD master engineer with capitals has...

hey, a friends band will be coming to my palce tomorow to make a start on 5 tracks, AND IM GETTING PAID FOR SOMETHING FUN lol. but anyway, I've never done tracks that were meant to go together before, and, is there any tricks to getting a nice consistent sound on the finished product? so it...

nothing is perfect till you've done it 1000 times!? lol

'i knew that, i jsut didn't get it right away doofas' :)

hey, i have the same problem with my roland, but as far as i know midi is the only way to go, unless you have a different output on your modual for each pad. sorry to bare the bad news, hopefully someone will correct me :)