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Thanks for the input. The sits are helpful. I emailed ART asking if their were a big difference between the TPS-II & MPAII and the response was "Both are fine- the MPAII does give you better metering and a lower noise floor. If money or rack space is an issue, go with the TPSII." Not as...

Like Red Green says, " If the women don't find you handsome they should at least find you handy" Or something like that!

Thanks a lot. I'm sure they put a lot of time and effort choosing a good balance between sound quality and price but I've been told that some people have replaced them with mixed results but from what I remember they didn't list the specific tubes.

I'm thinking of buying a used ART TPS-II in my local area and I've read the tubes can be replaced for different sounds. Just curious to know the options. Either way I'm going to try it with the stock tubes before I go changing things. Any ideas, part numbers, and results would be helpful. Thanks.

That's cool.

That's awesome man. Keep the pics coming.

Hello all. I'm looking into buying a Tascam 1/2 inch take up reel if anyone has one for sale. Unfortunately mine never made it back to me so that's why I'd like to replace it. I'm not interested in paying Junkbay prices but will be fair. Message me if you have an extra.

Happy to hear that you have the problem solved. I have used both RMG & ATR on my 38 and will admit that the ATR has slightly cleaner highs then the RMG. It might be how my deck is set up, I'm not sure.

The sound is amazing. I'd like to buy the album soon.

Thanks to all who gave their suggestions on my previous thread. I will try thoes suggestions and post my findings.

As a lot of you know my band is rerecording the tracks for our EP. I wanted to post a link to the old thread that was shut down by Chater La but I'm afraid this thread might get shut down by adding it. The question's I posed was "I'm looking to beef up my master recordings with my Tascam 38...

OK. I'm sure I will have to add more to this as questions arise. Here are the basics, I've read this persons posts here for years and has been helpful in giving advice in the matters of the analog realm. I was uncomfortable doing a mix & master on my bands EP so I asked him if he would be...

Hey, thanks for that.

Yes, I agree. As for the Police, I did contact them in his state and was told it was a civil dispute. Also contacted the Attorney Generals in both states and since he is a private person it was not within their jurisdiction to involve themselves in this matter. At this time I believe to be wise...

Sorry, I had a show last night and didn't get in until late. I will post the specifics of the situation maybe latter today.

Good thread. We just bought our pa about a month ago and need it for a show tomorrow. I will take all this into consideration when setting up. At this point I think I'll run the amps at about 80% and work the faders accordingly. It's a pretty small venue.

The first part was more of a rant then anything else. I'm not sure of the legalities of posting his name. From what I have heard I can post names and dates if what I say is provable. In this case I have all the messages back and forth since the beginning and all the missed dates and broken...

The last song I recorded I used 2 Shure KSM-27's as overheads then Shure SM-57's on toms to bring out their sound a little more. Unfortunately that was one of the songs that were stolen so I can't remember how it turned out. were kind of in a rush to get the EP out again so we have something to...

OK, not going into detail but I will say I have lost in the neighborhood of $500.00 to $700.00 in money & gear. That said, I'm looking to beef up my master recordings with my Tascam 38. Thinking of using three tracks for drums. I'll use my overheads and tom mics bussed in to two tracks and a...

Ok!!!!!!!!!!!!!!!