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Most overrated: Mike Portnoy (dream theater). That guy never heard of a thing called "groove". He does the same thing in every song over and over again and it is as simple as taking a good morning shit. Why do you think he has the time to throw drumsticks with his drumtechs on stage? If I were...

Jonguh houd je bakkus pisvlek anders kriek u dalik en dan wurda tantjes tuffuh. For those who don't understand dutch.........well.........nevermind. Speeddemon, piss off, I'm trying to get some serious replys on my question.

Well if you have to believe the official shure site, a beta 56 is made for snare/toms.

If you had to choose between a shure beta 56 or 57 for a snare drum, which one would it be and why?? Thanks. Marc

Thanks guys for your advice. I don't ever hear anything about the marshall mikes in Holland but you guys on the forum seem to be really enthousiastic about em. I allready ordered the C1 in England so the marshall isn't in the budget right now. Maybe later it would be a good choice. Thanks. Marc

Yeah I know, but if the first combination (C1 SM57) sounds great I won't buy the ATM 25

What do you guys think of the combination C1 and SM 57 for the bassdrum?? I soon will own them both but I was also thinking to buy an atm 25 at the same time (then I don't have to pay shipment twice). Thanks. Marc

I'm recording with a tascam dm 24 and Hammerfall 5296 soundcard. I own a drumkit with a killer sound and have a beta 57 on snare, two sm 57's on my toms, an Atm 25 in the kick and an AT4041 above my hihat. The only thing I'm not shure about are my OH's. Would recording with two SP B3's be a...

I hear a lot of positive reactions about the beta 91 in live situations, but what about doing a recording job with it. I have a $1500 maple made kick and I'm very happy with his sound, do you think a beta 91 is a good choice in my situation?? Let me know Thanks