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where's the improved recording? i wanna hear it. EDIT: btw, while i was searching for some more info on glyn john's setup i stumpled upon this http://recforums.prosoundweb.com/index.php/fa/1602/0 here's a quote from the original poster. no other mics..only 2 MXL V67G in a glyn johns set...

all i found was this http://www.danalexanderaudio.com/glynjohns.htm is this all i need to know about the glyn technique? your clip sounds ace. i think i will use this technique for my recording session next week. two B1s as OHs should be good no?

i'm no expert but wouldn't a high number of pickups decrease the sustain of the strings? the magnetic fields will probably pull the strings down quite a bit.

to be perfectly honest it doesn't have to be a high end keyboard and i'm by no means and experienced player. someone suggested the roland rs-5 to me and it does seem like it would suit my style. the problem is that it's too big and a few dollars over my price limit. i'm looking for something...

hi everyone, does anyone here have some advice on what keyboard to get? i want some crazy tweakable synth sounds (attack, release etc.) as well as some decent emulations of regular instruments like glock and a piano or rhodes. does such a device exist? i don't wanna spend more than $300 and it...

hey everyone, is anyone here willing to help me out with some scans of the sample seetings from the user manual of the tm60? i lost my copy and i need the ac-30 emulation settings. if you don't have a scanner feel free to type the settings. all i need are the 2 or 3 ac-30 settings. thanks in...

all i can think of at the moment is elliott smiths first album "roman candle". and maybe his second one as well. and on a side note, beck never released an album called loser.

here's my suggestion: - record vocals and guitar at the same time with the mics you have. if possible go direct. - then you have the vocals just the way you want them. - then make him play along to his own previously directly recorded guitar...this time with a mic setup. - then delete the...

i think it sucks......terrible music. if music at all. tracking sucks too. the vocals dont fit in there at all.

i have no idea what it is. a detailed explaination?....anyone?

maybe a standalone pre-amp and some compression? or maybe the mic doesn't work properly? try a friends mic and compare. also, you might want to check out the manual of your fostex...who knows, maybe there's a pad or something like that enabled. or maybe there's a +6dB switch that you have to...

i hope i dont get flamed for saying this but this stuff is boring. it's better than anything i've heard on this mp3 clinic board tho. it's too straight ahead for my taste. technically well done tho.

errrrrr, how exactly do you manage to record properly without a mic stand?

normally i use 440. 435 when my harmonica comes into play.

i've tried the elixir nanowebs last week. i bought a pack of 10s and was surprised about the clarity. it sounded great when fingerpicked but horrible when strummed. they are way too bright for my taste. they have that squeeky brightness of new strings that normally vanishes after a couple of...

i'm not sure. it doesn't really sound like a vocal effect that was added before it entered the signal chain. the early version of the song that was leaked from the studio last year reveals that the vocals were once clear and untouched. it's probably just some cheap effect that you can easily...

it certainly does.

other tips...let's see. how about not worrying too much about what you are worrying about. write beautiful songs and do your best to make them sound like you think they're supposed to sound through a pair of speakers. that said let me add that i think mister drake would have done many things...

good that you mention it. studio projects B1 maybe?

sm57? other suggestions?