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After about 10 LOUD concerts with no protection my ears are fucked. I have REALLY sensitive ears as far as volume though. I can't practice without toilet paper or something. About 10 times of "letting it go" screwed me up though.

I would do that shit every day for a year if I eventually got to 2nd engineer with someone really good.

how much are you paying?

I think the vocals and snare could use more meat. There's something with the kick that's bothering me, but I can't really tell where it is frequency wise- it seems you could cut somewhere a few db. I'm hearing the kick as sounding "bubbly", which I know doesn't make sense to anyone else. I'm...

oh, are you talking about that high pitched sound that normal tv's make? I have an LCD with my comp and I can't hear anything from it.

emo != indie. Don't talk if you don't know shit.

how do you get rid of this plague? and what are the symptoms?

If you or the band has no money, DIY If you suck complete ass at tracking/mixing, DIY(keep pissing into the wind and someday in the distant future you MAY eventually run out of piss) If you are okay at tracking/mixing, and want some expert advice: ME(and ask beforehand that he give...

Yeah, that's fine, but I was just giving an example that if you have to do something unrealistic to make something sound cool, than there's nothing wrong with that. There are tons of engineers panning overheads and even toms hard right and left. Some engineers ONLY pan things hard right and...

program it in reason stand alone, save it. Then open up cubase and make a new session, then open up reason and open up the saved reason file, and route everything to cubase?

I think they would sound just as bad as anything else recorded in a closet or whatever.

it's not realistic to obvious delay or distortion to a vocal either, it's not realistic to double track, it's not realistic to suck midrange out of the kick, it's not realistic to close mic things with a cardioid mic. The most realistic thing would be record 100% dry, to throw the faders up...

I recorded some claps and they sucked balls, then I compressed a bunch with the free SSL listen mic compressor, and suddenly it went into the acceptable range.

I don't think it's possible to do true 64 bit audio because of noise. 64 bit processing after it's been recorded is something different though. Also, ummm, nobody's tried Nebula?? here's a link. you may be suprised if your comp can handle it. http://www.acusticaudio.com/

what frequencies do you adjust that are almost the same every time?

tokio weigh station www.myspace.com/tokioweighstation

I'm not really a musician, I can play a little keyboard, but I don't think DI keyboard would be a good test for this kind of thing.

oh nasty. at least it doesn't smell like farts like my mics though.

i clock my firepod to mytek converters. I haven't noticed any big, but I haven't done any A/B type tests either.

sounds great! Love that kick drum sound. If it were me I might turn the bass up a tad, or give the bass some more mids or something. Also, I had a question on the last song you posted "3 cheers for evil", but I don't know if you saw it: "Is there some sort of slight autopan or something on the...