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I first mix on my Tannoys, then when I have what I think is a decent mix I'll go to a pair of Sony Headphones which tend to accentuate a lot of detail that my open listening environment doesn't pick up. From there I'll go to the car, then burn to mp3 and listen through a consumer soundcard...

I'm done buying gear, and any loss in quality between recording into the ADAT and having the signal sent via lightpipe straight to pc is minimal or non-existent to my ears. And what I'm doing from pc to ADAT IS a digital to digital transfer: I'm transfering data from the pc, through the...

Some things just need to be repeated.

I use mine primarily as a AD/DA converter to my soundcard. It also comes in handy for transferring comp'd tracks to and then from the ADAT in order to save disk space.

I use Tannoy Proto-J's, headphones, mp3 headphones, soundblaster, car stereo, and anything else I can get my hands on to listen to mixes. Restricting to a single pair of speakers isn't conducive to the best mix.

Yeah, I printed this off when I first joined here. Good stuff for sure.

To complete what has already been said, you need to take your mixes, get them to sound as good as possible on your studio monitors, then take that mix and put it in as many other systems as you have access to and determine what the best compromises will be made to get your mix to sound great on...

I bought a cheap 10ft extension cord for my computer keyboard. I take the keyboard with me into the room I use to record vocals. I can't see the monitor from where I record, but it's typically not a problem since I am only using one or two hot keys.

The SM58 is a decent choice of mike. It works as a decent dynamic vocal mike and is identical to the SM57 when the ball cap windscreen is removed. You will be able to record relatively well with the gear you mentioned, however, you will not be able to split each track separately in your pc's...

I stopped using the hi-hat for a different reason: the frequency would bleed all over the place, particularly in headphones and mixer channels. I stick with a click in my drum machine which disappears completely when removed from the mix. I also stay away from 1/4 notes, preferring 1/2 notes...

My Epi Basher into my digi rp-100 on a rectifier setting in my tube crate amp, with Crybaby wah for soloing. Works well for my kind of metal.

It's going to depend on the vocalist's tone. I prefer condensers on all my vocals, mainly because I have a whiny midrange and need more of a presence in the higher frequencies.

Mattel makes some pretty decent mics. Also look into Tyco.

How about I empty my balls on your face? You'd get your eighty pounds back plus a lovely mask for halloween.

The worst of the genre was definately hair bands: the eye makeup, pants, and big hair. However, GnR was a hair band, but not classically influenced, so your association doesn't hold up to your statement. Tapping had its place. Iron Maiden used tapping as well, and while true, they donned...

Mine worked for a year before it started doing the same thing. Crackle and sometimes a complete cut out of the signal for no reason. It's sitting in my studio collecting dust. I decided to just use the preamps on my analog desk instead.

None of us can afford to pay cash for our gear.

No, but if you want one, it's free at http://www.securityimageforpeopleagainstspam.com!!

Or maybe guys go flaccid in your mouth because your face is so ugly.

My contribution is the same shape as a microphone, only it actually goes in your mouth.