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1.GLS 2.Audix 3.Shure 4.Cad in this order

Zshare, It's dummy proof

thanks harvey, that was a good read and it pretty much answered my question. I never knew how much different many mic of the same model could be, it sucks. I guess it's time for aliens to come and teach us about mic manufacturing... after reading some post in Harvey's BIG thread I checked a...

Hi fellow homerecorders! I've got a good question here I think, is it a good idea to shop mics by looking at their freq. curve?? Let me explain that I little bit more, If I came to the conclusion that this specific singer always need some mid-high/high cut to reduce his overly-sibilant voice...

soooo, I did the 10k lowpass thing and resweeped before and after compression and cutted respectivly. it worked ok. the vocal losted a lot of it's sibilance AND clarity, now it sound somewhat muddy. so I'm asking myself what's worse, sibilance or muddyness??? should I use a de-esser instead of...

thanks glen, I'll go now and try all that

"The processing in between is another story." so you're saying that I can record in whatever program I feel like but that there's gonna be a difference if I mix these track in ex: Pro-Tools vs. Live vs. Audition ??

Hi everyone! does the recording software you use have an impact on the sound quality of what's being record or it really doesn't matter if I record in let's say: Ableton Live compared to Adobe Audition ????

I hear it on the original WAV 100% dry. I did compress on the way in but nothing more than about 2db of gain reduction. the audio I posted are further compressed but it did not accentuate the sibilance. I don't fully understand your last advice because I don't know much about FFT, but I'ma do...

here it is Glen, Thank you for your time. Ima re-try a sweep and make a few cut to see what happens I'll also try to look into that FFT and Harmonics filter thing too, I think I saw that in Audition. when you say "the peaks above the wall at about 15k" do you mean every peak 15k and up that are...

like I said I already tried that, is it common to make 2-3 different cut to solve a sibilance problem(as opposed to find out that 6k is the prob and reducing only this)??? also, should I eq/de-ess before or after compression???

hi everyone I'm having a lot of trouble to eliminate some sibilance in a vocal track. I tried a frequency sweep with both a narrow and wide q but I coudn't find THE freq. that was problematic, it sound like most of the highs are contributing to the sibilance.I tried some de-esser but...

beside "real" monitors and some acoustic treatment, I don't think I'll ever need anything else than this:

I would really suggest that you record it from an old scratchy vinyl. I also suggest you to take a different vinyl every time if you plan on adding this to a lot of your song. many people will notice it if you layer the same crackle on all your songs.

Hi everyone, it's been a little while since I posted here but I now have a question for yall mixing gurus: when 2 instruments have a peak in the same frequency and it's causing the mix to sound "muddy" or just straight up bad, how do you point out wich one is gonna have the cut and wich one is...

this song was record by a ksm27 into a behringer 1202fx (not by me, I just asked the dude what he used cause I liked the way it sounded) http://www.katklaw.com/outthere/index.php?option=com_wrapper&Itemid=91

more suggestions are welcome

no, I'm using regular homestereo speakers that I have to run trough an insanely hissy receiver + I think my cluttered bedroom sound fairly good already

hello everyone, I'm slowly starting to look at buying a pair of "real" monitors and I would like to hear yall input on MY situation I know it depends on a lot of different thing so here are the details: -I'm willing to spend 1000-1500$ on the pair -My room is untreated but there's a lot of...

I never had an mpc and I make quality rap beats. eps16+/asr-10 are waaay better.