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We're all God's children. Take it however you want. It's a case study in how the Dogma of Christianity over powers the message of Jesus.

It's not bad at all for the price. Used quite a few, never thought they were all that great sounding but they certainly get the job done. And they sound better than a lot of what's out there. I'd buy a used one off of ebay though. Not worth it new unless the warranty is important to you.

To be honest I don't think that it makes one bit of difference. Would his words have any less meaning?

It's a workhorse mics you won't ever want to sell. They sound at least acceptable on just about anything and excellent on a lot of things. I've never thought that the transient response was all that lacking on drums either. Certainly an SDC would have a better response but it's not anything...

my .02... The 414's

A model number and brand name would be pretty helpful there...

I've never played a smokin' but for you I'd sure try... :p

so true...

How useful are the SM7 and RE20 going to be on his behri mixer though? That's why I was leaning towards the lowerpriced but still nice condensors for his $$$.

I'd give it a cavalier...

A $300 mic (lower end of decent mics) will improve your current setup more than a $300 set of monitors (bottom of "ehhh" monitor price range). I'd recomend a shure KSM maybe. decent mic for the price. Pretty much my fav. cheap condensor. But the SP C1 is alright too.

I think it does. I think it sounds like ass if you compress more than a few dbs but maybe it was just me?

Which multiface is it?

there are certainly those that disagreee...

I really do get what you guys are saying. To help you understand what I'm trying to say... I wanted a dirty sound. But the equipment I was using wasn't all that great. I tried a couple of different ways to get the sound that fit. In the end I had: Perception 200>Samson C-Valve>dbx 1066 in...

just gotta one up me... :rolleyes: It's really just a personal choice. There are pros and cons to both routes and in the end it's all about YOUR dedication to making it work.

What I mean is that I think harsh sounds and non-tradition (or suposedly undesirable) methods are much more accepted in hip-hop than just about any other genre. You have to understand that I LIKE that sounds in question. You dont have to agree but I wanted to put a different perspective out...

I don't have their equipment. This is how I got the similar sound with mine. Pushing the converters adds a little bit of dirt and other characteristics that make it sound like I want. And so you know I was pushing the gain on just about everything in the chain too. I'm not talking about my...

I have never and will never base my music off of what "other people" like. I'm not an entertainer at all. I engineer and co-prosuce hip-hop which is a different world from what most of you do. Different tastes, different aesthetic. Now if their paying me I'll record them shitting on a mic...

Congrats, But doesn't Tobega have love for Billy Bo too? :(