I'm selling five Penny & Giles faders salvaged from an unwanted board. like new. I figured maybe somebody here might be interested since they don't seem to pop up much on the second-hand market.
you should be able to follow this link:
http://search.ebay.com/_W0QQsassZbirdy4doa
hopefully this...
ok, so i'm really close to buying an ART digital mpa. here's why: i like a colored sound, i like the sound of my tube mp (it's got a j/j tube.. i think it came like that), i have ribbon mics and i really like the idea of variable input impedence, and i need sp/dif output.
so before i do that...
to any of you who own this unit: does the fireport interface stand up to the hype? as in, does it work flawlessly, under all conditions? i was burned by alesis' adat connect bullshit, and though i like the idea of the hd24, i need a unit that will interface flawlessly with my DAW.
thanks
hey. picked up a pair of those nady ribbons on e-bay. they are supposedly in brand new condition, having been display models. a friend and i did some semi-scientific tests, using a white noise generator, of their frequency responses. the results are here...
hello. i want to get into the world of modding my own gear, and i figure i'll start with my art tube mp. (i don't want to hear anybody say i'm wasting my time, buy a better pre, blah blah. i'm in this to learn, and to get the most of the limited resources i have)
i understand that the first...
does cool edit not support ASIO, or am i just dumb? i'd like to be able to use cool edit with my new E-MU 1212m system, in addition to all the fancier software i plan on using.
anybody like/dislike this card? basically i need the highest quality stereo analog input for recieving mixes from my soundcraft mixer. i like the digital adat ins/outs for possible future expansion. is there anything better in its price range?
maybe a juno 106 or something with an arpeggiator or sequencer. anything worth roughly the same (~$250-$350).. i can sweeten the deal a little bit if neccesary.
i have always miced my toms from the top, and the results are fine, but I remember reading that danny carey's studio setup is condensors on the tops and bottoms of all toms (boy, that gets expensive fast!)... my question is this: is it common practice at all to mic toms from the bottom or from...
here's a couple of songs from a couple of bands.. i'd appreciate any advice on any aspect of the recording and mixing (i'll take mixing advice with a grain of salt!), and maybe what else could be done in the mastering stage to polish it up. although i must say, i'm not too keen on all this...
Hello. I have a moderate home studio setup, and currently do all my mixing through a soundcraft 200b that is being loaned to me long term. a few questions, to anybody who has used one..
1. how does this thing sound compared to budget mixers i might otherwise consider (such as the alesis studio...
hello. i got a used r8 for free (8 track, 1/4") under the understanding that it may or may not even be working properly. I just got some tape for it, but haven't tried to spool it up or whatever, as i'm completely new to analog tape. For this reason and for many others, i need a copy of the...