I have a tracks recorded at 96kHz, with one part I had to use which was recorded at 44.1kHz. When I render the whole thing at 44.1kHz, what happens to the part recorded at 44.1kHz? Does the program render it at 44.1 or 22kHz?
Say one had a guitar track and then loaded up 10 plugins. In theory, would there be any degradation of sound because the signal has to pass through many plugins even if all plugin mix knobs are set to zero such that the effect is on but not doing anything?
Hmmm... As someone one step up from novice at recording I was under the impression that drums always get compressed, but I'm not bothered by being wrong.
I have Addictive drums (1.0) and I like the sounds, however, I'm uncertain about how to treat them in a mix. If one were recording real drums, one would obviously use compression on them, but I haven't been able to find an answer as to how one should treat drum programs and whether the samples...
I'd wager it's the blue tooth in your phone, or some other wireless device being picked up by the computer. I've experienced similar sounds when I had a cell phone or even a cordless phone (when the line is open) near the computer. Remove everything from around the computer that is wireless.
I have been an unpaid member of Soundcloud for a while. They have a special on their paid Next Pro level that has features like song distribution, advanced fan insights, etc. Any thoughts on Soundcloud Next Pro?
Thanks for the reply. Do you have any thoughts about the quality of various stereo imaging plugins? The A1 seems to work and sound just fine, but I have nothing to compare it to.
I have the Alex Hilton A1 Stereo control plugin. I'm trying to understand precisely what a stereo control plugin like the A1 can do that one can't using pan controls in a SAW. I know there's other features in most stereo control plugins, but I'm only thinking about the stereo imaging aspect. I...
I appreciate all the replies, but this is what I'm really trying to understand, whether a mastering plugin can raise levels sufficiently without any use of compression.
As a virtual novice, I've always been under the impression that compression/limiting was absolutely necessary during mastering, that it was the actual means for increasing audio levels from the mix, but I'm not sure this was ever the right way of looking at it. Am I correct that it's possible to...