K
K-dub
Well-known member
I THINK I've got it pretty well dialed in.
Anything poke out at you?
Thanks folks!
This was a decision I questioned myself, bud. Good catch and thanks for the input. I dried up the vocal significantly because I wanted more sonic edges to it. I'll go back w/ your perspective in mind and fool with it a little more. Reverb adds depth of stage - and I made it very dry and up front.The only thing I could nit pick at was the vocals seemed to not have any room around it. They seemed loud enough, but not as clear as I think is possible. Something you might want to review. Other than than, everything seemed well balanced.
Agreed. Although I missed it a mix time - and I've not yet circled back to correct, I believe what folks are getting at is the vocal sounds a bit layered on top of the song, rather than embedded in the song - and I think that's my preference for rather dry vocals coming into play. In other words, "I'm getting in my own way."Vocal does sound like it's not knitting with the well produced backing track. More reverb, double tracking, backing vox? A good song here, moody atmosphere, lovely bass tone. Reminiscent of some Grant Hart songs, as well as Jane's Addiction.
Circled back around to this one, and again - thanks to the folks here for the thoughts regarding better framing the lead vocal.
I decided to employ a detuning/doubling/ADT effect on the lead.
You'll hear the difference immediately.
Does it better suit the piece?
Good note on the echoes. I'll attend. I wondered myself. I'm still adjusting to the changes myself. I think it's better than it was.It definitely suits the piece better - I think it’s a little too much in the beginning part - not quite as etherial as I would like - but I don’t know - I listen to it a couple of times and it kind of grows on me - one thing is the echo’d parts are to loud to me.
Circled back around to this one, and again - thanks to the folks here for the thoughts regarding better framing the lead vocal.
I decided to employ a detuning/doubling/ADT effect on the lead.
You'll hear the difference immediately.
Does it better suit the piece?
In the vocal, Dave?The first part, I would like for it to cut through a bit better. I don't think loudness, but maybe 3K and above to get it to cut through? Other than that, not hearing anything bad, it is rather a very good mix.
My apologies, yes.In the vocal, Dave?