Members average number of mics and a list...

  • Thread starter Thread starter tubedude
  • Start date Start date

How many mics do you own?

  • 1

    Votes: 127 7.7%

  • 2

    Votes: 155 9.5%

  • 3-5

    Votes: 409 24.9%

  • 6-7

    Votes: 221 13.5%

  • 8-12

    Votes: 328 20.0%

  • 13 or over

    Votes: 400 24.4%
  • Total voters
    1,640
Wow, there's a lot of nice mic lockers here.
Mine ain't that crazy yet but works fine. On the hunt for a Sennheiser MD421 or two and a 414 as soon as my shitty monetary situation allows me to.

Oktava MK-319
Neuman KMS105
SM57's (3)
SM58's (2)
Beyer Dynamic M201 TG
AKG D112
Beyer Dynamic XM-D 58 2x
Sennheiser E835
B&O BM3 (needs repair)
Weird Sansui mics (2x)
Shure Prologue (80's low end 58-ish thing, looks cool for talkback...)
 
You know I thought I was a member here before but couldn't find a login that worked - just found an old-ish post from 5 years ago that shows me as a "guest" using my more common screen name/pseudonym. Huh. Well, I wasn't lying about not needing much else. I've only added a single mic (RØDE NTG1) since then. I do mostly recording away from home, and so the little collection I have for my music room has been fine for the little bit I do. I am optimistic about getting a SM7b for birthday+xmas, if the missus gets a nice bonus :). As my baritone gets gravellier every year, I have to believe it's going to help...
 
Soundeluxe U195,
Oktava MK319 (x2)
Audio Technica 4050
Mojave Audio MA-300
Mojave Audio MA-301
Royer R121
Beyer M500
Oktava MK012 (x2)
Shure KSM109 (x3)
Rode NT-5 (x2 )
Shure SM7b
Electrovoice RE20
Shure Beta 58
Shure SM57 (x2)
Telefunken M80 (x2)
Shure 565 (x2)
Electrovoice DS35
Electrovoice RE10 (x2)
Sennheiser MD211 (x2)
Countryman Isomax (x2)
DPA d:vote 4099G
 
I can't remember when I updated my list, there gave been a couple come and others go over time, so here you are in alphabetical order:

AKG C4000B
AKG D330
AKG D320
AKG D310, 2 off
AKG D19
AKG D12
AKG D112
Audio Technica AT3525, 3 off
Audio Technica AT2010, 2 off
Beyerdynamic M200
CAD Trion 8000
CAD TSM411
Fathead Ribbon, OPR, 2 off
K-Micro Silver Bullets Matched Pair
MXL R40 Ribbon 2 off
MXL V67
MXL V67Q (stereo mic)
Rode NT 1000, 2 off
Rode NT 1 (very early handmade version), 2 off
Rode NT2 (very early handmade version)
Sennheiser K3U/ME80, 3 off
Sennheiser K3U/ME40, 5 off
Sennheiser K3U/ME20, 2 off
Sennheiser MD421, 2 off
Shure SM57, 2 off
Shure SM58, 5 off
Sontronics STC 3X
 
Some nice lists in here!
Do you use the d12 much, [MENTION=50954]witzendoz[/MENTION] ?
I have a lovely one here that never comes out of the box, because I never record live kits, but I know selling it would be short sighted.
 
Steenamaroo said:
Do you use the d12 much, [MENTION=50954]witzendoz[/MENTION] ?
Click to expand...

Sometimes on Kick instead of the D112 if I want an older sound, I actually carry it around inmy PA mics case and use it at some gigs on kick, a bit risky for such a rare mic I know LOL.

I am also thinking of trying it on my double bass sometime in the future, usually use a condenser but the D12 was used on a lot of old recordings once.

Alan
 
Cool! Yeah, it's one of those mics you buy bubble wrap and foam for! lol.
If you ever fire it up on double bass, I'd love to hear how it goes.
 
I'm sure I posted in this thread back-in-the-day but couldn't find it. It says I voted. Things have changed somewhat since then. To whit:

LDC & MDC TYPES

AKG 414EB
ADK Area 51 TT tube modded to M249 circuit and a GK-49d cap
ADK Area 51 TT tube modded to ELAM 251 circuit w/ GK-12d cap
ADK Model 5 modded with Vienna innards (2)
Audix SCT-25-PS (2)
Cathedral Pipes U67 clone a one-off build. Has a real Neumann K67 cap
GT 55 original Made In USA Groove Tubes
KEL HM 7
Kel HM 2
Kel HM-1
Neumann U87 1982
Oktava MK-319 original early import Russian build
Soundelux U195
Studio Projects B3 2nd generation

SDC Types:

ADK 3 Zigma Chi w/omni and hyper cardioid caps (2)
AT 4041 (4)
AKG C460 w/ck61 caps (2)
Neumann KM184 (2)

Dynamics:

AKG D125
Audix D6 (2)
Audix D4
Audix D2 (3)
Audix D1
Audix i5 (2)
Audix OM-5
Audix OM-7
ATM25 (3)
ATM33A
ATM61HE
ATM 610
ATM 710
ATM 5R
ATM 41A
ATM 63A
Beyer M400 Soundstar
Beyer M201TG
Peavey 520TN (2)
Shure SM-7B
Shure SM57 (6) 4 are original Unidyne lll 2 I bought new in 1969.
Shure SM58 35 years of dents

RIBBONS:

Cathedral Pipes Seville
Avantone CR14
Royer R-101


There's a few "on loan" ..I have access to some "special" mics for loaners. Elam251 (original from the 50's) Bock iFET (incredible mic) Soundelux 250 (WOW)
 
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Lots of MXL cheapies most of them modded by me:

Electro-Voice 731 (first one - saved from the bin)
AT3035 (first purchase)
2x MXL 2001 "RoyerMod"
2x HST-11a (Apex 460) Dave Thomas Mod with knock off capsule c12sh *work in progress
MXL 2001 with knock off C12 capsule
MXL 2006 " " and direct connect mod
MXL 9000 gutted and replaced with C12sh capsule and a cardioid only point to point G7 circuit (EF86 tube)
MXL USB gutted and replaced with point to point 6AK5 tube circuit, based on the Royer but with grid leak resistor and knockoff K47 capsule
MXL 2010 with knock off K47 capsule
MXL 880
Shure SM57
2x 57 knockoff
58 knockoff
MXL V63M direct connect mod, new capsule *work in progress
2x MXL V69ME Dave Thomas AK47 capsult and 12AY7 tube *work in progress (might need change heater circuit)
 
I hate this topic because while some people collect guitars, I collect microphones. Stupid, of course as I regularly use just a very small number. In a typical week I use:
SM7B
414
I have no idea how many I really have on shelves, in 8 mics boxes and in plastic dump bins, plus radio mics too. The sennheiser handheld radios have paid for themselves many times over, but, most are just nice to have and some have never been used.
Easily over 100.
why would anyone want 5 AKG451s from 40 years ago, and I even have a box of AKG D190's. I cannot remember using them for anything. A very stupid hobby really, but I just keep buying them when I see them to add to the collection.

I've always liked Alan Parson's music, so when he endorsed Audio Technica 4033A's, I bought one of those. Used it in November for one little job, put it back in the store straight after!
 
rob aylestone said:
I hate this topic because while some people collect guitars, I collect microphones. Stupid, of course as I regularly use just a very small number. In a typical week I use:
SM7B
414
I have no idea how many I really have on shelves, in 8 mics boxes and in plastic dump bins, plus radio mics too. The sennheiser handheld radios have paid for themselves many times over, but, most are just nice to have and some have never been used.
Easily over 100.
why would anyone want 5 AKG451s from 40 years ago, and I even have a box of AKG D190's. I cannot remember using them for anything. A very stupid hobby really, but I just keep buying them when I see them to add to the collection.

I've always liked Alan Parson's music, so when he endorsed Audio Technica 4033A's, I bought one of those. Used it in November for one little job, put it back in the store straight after!
Click to expand...
I am with you too... I will find decent prices and get them for some undefined need in the future where by chance I have to mic-up a hypothetically large band that has never called me...LOL

I did a quick off the top of me head inventory and I came up with 56 minimum... I am sure there are a few I have stashed elsewhere...
 
I only have a few mics. I'll do my best. About 17 years ago I ditched all my cheap mics and started buying good ones one at a time, starting with my used MA-200. I have enough mics now to do whatever I need to, but if someone is recording alone at home I would say buy two or three great mics used vs a bunch of cheapos. YMMV.

Neumann U87ai ($1000) - gets a bad rap and is beat up. That sounds good to me on everything.
(2) Mojave MA-200 (both used, can't remember the price, too long ago.) - Set up permanently as kit mics
Mojave MA-201 - not that expensive, and wish I had two of these vs the 200s - great on the outside kick.
Three Earthworks - QTC-1, SR-77, and something else. The QTC-1 is fantastic on so many things. The other thing I forgot is that I love it on snare. I traded a cheap Zemaitis recent model guitar for these.
(2) Telefunken M-80, 1 M-81 and M-82 - bought as a kit. It's super good, I couldn't be happier. The 82 gets used a ton.
(2) Royer R-10 - pretty cool. Nice on guitars. Good on the room. Affordable.
AEA R-84 - bought open box. Great on vocals, AG, drum oh, room, etc., do what it does, but it's good!

I buy old Shure, EV, etc. mics for video props when I go to the flea market. Have an old SM-7; never got the hype. Also have a couple of cool Turner dynamics an EV CS15E (Elvis mic) never use these. I have a 58 that I don't use.

If I could have one mic, it would be the internet-hated U87ai. I had a TLM-103 and liked that through a 610, so maybe it's me.

If I could only have two, it would be the U87ai and the QTC. Earthworks aren't popular, but if you have good sources, they're hard to beat.

I leave my 87 up all the time because it sounds good on everything. A lot of the time I just want to be done and don't have time to sit around and audition things for songwriting and demos. The 87 sounds good enough that if I get a keeper it will be good enough.

455177505_18446460202038379_2666884002128549599_n.jpg
 
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Hi
I've got 4, I think.
An original Røde NT-1, circa 1998;
Røde NTK, 2002;
AKG 414 with t'other capsule;
AKG 451B.

Need a new valve for the NTK.
Cheers
 
Well, I now have what works for me, and I have no plans to buy anything else. I really mean it...:LOL:

For my project studio, for field recording, I feel I spent the money, got the final units I wanted, and now the rest has to come from me.
4 other mics were sold over a year to help raise funds, two more were retired, and one given away to a young musician.

Maybe it's an age thing, but much as with photography, I got tired of all the gear madness, of reading and obsessing endlessly about gear, gear, gear...so I splurged on some "standard tools", tested them and found them to work beautifully within my new project studio basement (with proper acoustic treatment). That's how the U87, the 121s and the Schoeps mics joined the fun.

The Schoepses are, bar none, the most flat-off-axis mics I have ever heard, the volume drops when you go "off-pattern", but you don't get the coloration of frequency changes, just beautifully rendered space, good or bad. They replaced a pair of Neumann 184s which I found to be quite shrill in general, at least for my purposes.

The Royers are like magic on acoustic guitar, just lift the top end a bit in post as their design only reaches so far "up the range."
I had read up on the 'other' ribbons being offered, thinking of price and "whether I really need..." until finally I got tired of pondering and just went for the 121s. No regrets.

The 87 is...the 87 and it just does what it does, very well, on narration and voice in general. A mint one-year-used one with all accessories helped soften the cost a bit.

If you want a mellower vibe, I highly recommend the tube Vanguard V13; it is a beautiful-sounding vocal mic at a great price.

The line-up:
(1) Neumann U87AI
(1) Vanguard V13 tube LDC
(2) Factory-matched Royer 121s
(2) Schoeps CMC-6 Mic bodies with one pair MK41 super-cardioid and one pair Mk22 wide-cardioid capsules.
(2) AKG 414XLRs
(1) Shure 57
(1) Shure 58
(2) Audio-Technica 875 short shotguns.
(1) Shure 55 mic, with "Dukane" name badge on it.


These feed my Tascam 24SD through outboard pres, and my Sound Devices MixPre 6 MKII. For scratch work, a Scarlett 2I2 is parked permanently on my desk by my PC.

C.
 
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