As perhaps one of the oldest forumites here I can tell all you noobs that for microphone mounting ..It was ever thus!
In UK most mics were either home grown, STC, Reslo, Audax, Grampian or imports from the states. Then Japan started making them. Yes, some were outright US copies but they soon developed their own styles but kept to US fittings. The only recourse for the PA/Recordist was, as now, a bag of brass bits!
But I shall now commit the ultimate Old Fart sin and say "You young 'uns don't know you're born!"
In addition to multiple stand fitting (more than now iirc) the audio connectors were almost peculiar to mic maker! Thus a Reslo had a male 3pin that LOOKED like an XLR (or "Cannon" as they were then called) but wasn't . Grampians had two 3mm wide slits at 90dgrs and just about everybody else "rolled their own"!
Just to add to all the audio conn' confusion we also had to cope with 7 different mains sockets and a supply that could be anything from 200 to 250 volts depending on where you were in the country.
But! Back to modern mic stands. Thomann do a vast range and for the home recordist I see no point in paying for "pro" quality stands? Also, look for the 1/2 sized stands? Just right for fronting an amp or seated acoustic guitar. They also come with a heavy flat base about 600x400mm instead of splayed legs and these are dead handy in the cramped space of most projjy studio bedrooms. Mic mounts that "G" clamp to a table are also useful and cheap.
Dave.