Should I go for this reel to reel/mixer deal?

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bcwilliamson

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Hi there,

Since starting recording, I've been working in my 'home studio' for many months now, alternating between the super-simple Tascam Porta 02 for demos, and the Fostex X-28 for slightly higher quality recordings, using a couple of cheap microphones and the different instruments and processors I own. Ideally I've been looking for a cheap Portastudio 424, for its more expansive mixer, effects sends and EQ capabilities. The plan a few days ago was to look for one in my price range, and to use that.

But yesterday I came across a fully-working Tascam TSR-8 reel to reel (http://www.40watt.co.uk/images/e8.jpg) coupled with a Fostex 812 mixer (http://images.kupujemprodajem.com/photos/oglasi/2/22/133822/133822_Fostek 812 2.jpg), that I can get for £340 (about $515). I've never worked with a reel-to-reel before, but as it looks like a very simple, intuitive machine, I'd be very interested in expanding into using them, not only for being able to use a separate mixer, but to have the much higher quality of tape and 8 individual tracks. I either work with a four piece band, or playing each part and building up tracks in layers. And I like ease of use too; when I'm recording creatively in a group or on my own, I hate spending time moving cables and changing settings...would there be those kind of issues switching between recording and mixdown?

The mixer has 8 busses...having never used a separate mixer before I'd need some suggestions on signal chain from the mixer to the reel to reel back to the mixer if I was to buy it. I could master in stereo either to my computer (I don't have a good sequencer yet) or one of the tape decks I have.

So, do you think it's worth leaping from simple Portastudios to the reel to reel? I've outlined the benefits (higher quality than cassette, 8 tracks, fairly inexpensive for the product itself, use of a mixer), but I have to think also of the reel to reel breaking down/having issues. Even if it comes in perfect condition, it's still less reliable than a Portastudio, I guess. As a student careful about spending too much (apart from my guitar, I really don't have any expensive gear, and hardly any microphones), I'm not sure whether I can justify spending that amount of money on it, and I have to make a decision quite soon about this. So what do people think?


Should I be interested, or should I take a step back and keep looking for something nearer my price range?
 
The Analog Only forum is full of people using this type of gear. I went digital a decade ago and never looked back.
 
I went digital a decade ago and never looked back.
I started out digital over a decade ago and have been clawing my way to analog ever since...
One of these days I'll be able to afford tape, a big 'ol console, and outboard stuff. Every time I use somebody else's analog board the mixing results come much faster and more naturally. It's just easier to mix on.

Anyway... Yeah, head on over to that analog forum for advise. All I can say is blank tape is expensive and tape machines need cleaning and calibration.
 
The Analog Only forum is full of people using this type of gear. I went digital a decade ago and never looked back.

I went digital in 1983 and have never wanted an analogue recorder since.

That is 27 years ago - I bought the Sony F1 system less than a year after it was released.

A tape recorder adds lots of distortion compared to 24-bit digital and is very expensive to run and maintain - it is a skilled job aligning the heads, adjusting the set-up and bias to the tape used, etc., etc..
 
So, do you think it's worth leaping from simple Portastudios to the reel to reel?
Well, if you can get around this
All I can say is blank tape is expensive and tape machines need cleaning and calibration.
and this
A tape recorder adds lots of distortion compared to 24-bit digital and is very expensive to run and maintain - it is a skilled job aligning the heads, adjusting the set-up and bias to the tape used, etc., etc..
then yes.
 
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