
Seafroggys
Well-known member
I totally agree. Those people are mostly stuck on nostalgia.
I dunno, both Ian Paice's and Keith Moon's drum sound post-1970 is pretty damn powerful and awesome if you ask me.
I totally agree. Those people are mostly stuck on nostalgia.
I dunno, both Ian Paice's and Keith Moon's drum sound post-1970 is pretty damn powerful and awesome if you ask me.
Haha, awesome. I totally agree too. Every Ed Stasium produced Ramones album had the best guitar and drum sounds. Classic Ramones sound.
i agree with this big time. i don't think mondo bizarro was their best collaboration though. that album's drums sound a little too big for the ramones in my opinion. i really like his work on road to ruin. that record sounds extremely tight all around.
the ed stasium mix of rock n roll high school might be my all time favorite drum sound. during the intro, the snare sounds like you're getting punched in the head, but isn't overbearing at all.
also, it's alive, besides being one of my favorite live performances, has a great sound too. the only bad sounding ramones record he was involved with was leave home, but he wasn't the producer anyway.
i agree with this big time. i don't think mondo bizarro was their best collaboration though. that album's drums sound a little too big for the ramones in my opinion. i really like his work on road to ruin. that record sounds extremely tight all around.
the ed stasium mix of rock n roll high school might be my all time favorite drum sound. during the intro, the snare sounds like you're getting punched in the head, but isn't overbearing at all.
also, it's alive, besides being one of my favorite live performances, has a great sound too. the only bad sounding ramones record he was involved with was leave home, but he wasn't the producer anyway.
led zepplin 1
led zepplin 1
Actually, that was for the untitled fourth album, the outstanding example of which is the famed "When the levee breaks" which was in part by Memphis Minnie ! She was one of the few guitar totin' lady blues singers of the 1920s.I love the story (perhaps legend) that they recorded Bonham's kit in a stairwell to get the best acoustics.
Take it in context. I was a young drummer playing in a garage band (actually in basements)Actually, that was for the untitled fourth album, the outstanding example of which is the famed "When the levee breaks" which was in part by Memphis Minnie ! She was one of the few guitar totin' lady blues singers of the 1920s.
Funny thing about Zep 1, it was the last Zeppelin album I heard of the original 9 (not counting the soundtrack). I'd pretty much loved the others and I'd heard so much about that debut that I was busting a gut to hear it. It was such an anti-climax ! The songs on it are neat, the playing is top notch, but.......
I do like the album and I think the drums are actually really clear and powerful on it.
Take it in context. I was a young drummer playing in a garage band (actually in basements)
and all we had to listen to was Beatles, Rolling Stones and then came Cream and Traffic.......... and then there was Led Zeppelin 1. Clear, powerful, and those damned incredible rapid triplets on the single pedal kick, and OMG we were all blown away. We went back in the basement and started to try and get anything close to that sound. It was a groundbreaking album in its day and it still holds up.