C
chewbacaface
New member
Cheers for that!! I'll give it a go!
My setup is currently:
2 x T-Bone SC300 for the overheads
1 x DC1000 Drum Mic Set for the Tom's
1 x Shure SM57 for the Snare
1 x Samson Q3 Bass Drum Microphone
Are these suitable for the job?
I would hate to find out after trying all techniques that its all down to the mic's!!
For me, the most critical mics are the overheads (I use three sets but you only need one if done properly). Then the snare is next important. Last, the kick.
You can get a good recording without even using tom drum mics, so, naturally they should be last on your shopping list.
For overheads, AKG c1000 mics are pretty common. Oktava MK012s or RODE NT5s are good stereo mics for home studios.
For your kick, use a Shure Beta52a or an AKG D112. Both are standard for studios. You can get by cheaper with a Blue Kickball but it is a noticeable difference.
For your snare, I like SM57s because they cut through and are clear. I also like Sennheiser e609s because they are a little deeper and have a little darker tone to them.
Toms can all be SM57s. The direct tom mics are really for picking up the attack from each tom hit. The overheads will get the round bass sound from the tom hit. So, a SM57 is again a good mic for getting the clear attack.
Get a preamp for everything, but if you can't. Try to at least get two stereo preamps. One for your main overhead and one for your kick/snare. If you have a stereo compressor... use some slight compression on the overheads. Don't overly pan the toms or the overheads.
That's how I'd start.