who the fuck in their right mind would pay £300 when you can get i for nothin.
I have my opinions on music piracy and how the industry is making things worse for itself by trying to hold onto their old money-cow of a business model and make it work on the internet with stupid ideas (i.e. DRM = fail), when if they just embraced the new ideas like many independant labels are (like free downloads, make money from merch and limited edition CDs) then they would find that the problem goes away completely. With large labels, most of the money 'being stolen from artists by piracy' would never end up in the artist's pocket anyway.
But, with this kind of software it is different. You can potentially be making money by using it when you base your studio around it, making it an investment just like you would invest in hardware. Why spend money on a mic?
You might overlook a hammer in someone's garden shed which they accidentally took from their neighbour, but what would you think if you went to a car garage and all the machinery/tools they were using were stolen?
I admit that the first DAW software I used was a trial that I extended a month or two, but as soon as I realised I was going to be making good use out of it I invested in one of the lesser-versions of Cubase, and now the full version of Sonar. I used to think that they were all so expensive, but when you look at it from the viewpoint that the software is pretty much
the heart of your studio it suddenly seems far more affordable in that scheme of things (especially when you consider at what you pay for hardware!).
If you don't want to pay on the other hand, Reaper is very good. So is Ardour if you get used to it (and if you're soundcard is supported by Jack). They're both essentially like the expensive software, just missing a few bells'n'whistles.