Congrats yoyo, your smart ass little mouth has once again proven that you truly are 14 years old. I have worked in the live and studio ends of this industry for a while now. Just so you know, you would be the LAST kid I would ever train to learn how to do something important like running a complicated church service or to even be able to touch a $75k plus console. Your attitude is as bad as it gets. In my experience that kind of ego solely exists to try and cover up the fact that you don't know what you are doing and desperately want to fit in.
The bottom line here is that it is very likely that one of a couple things are happening. First, all of this is probably a hoax so you can try and drop what you think is some sort of cool buzzwords and make you look good in other peoples eyes. Second, you have absolutely nothing to do with the purchase but just want to look cool. In either event, this whole thing is a bunch of childish crap that should nto be aired out here.
Just so you do know, I never made any statements about what your church has for sapce and/or money. Just because there is space doesn't mean that the intelligent knowledgable people involved (which you have clearly shown that you are not a part of) want to use this space up unnecessarily. Obviously this was a consideration (therefore the DM2000). Next, I actually reccomended some other options because they made more sense in certain ways. Also, there is not much of an advantage of having the preamps on stage unless you want to leave your rack exposed to other people and not have it available to the engineer should it be necessary. If you have a specific and dedicated monitor engineer this works OK because then there is someone there that does know what is going on.
In the real world, which you do not seem to be involved in, it is VERY important that you have qualified personell around that understands how to use the equipment available. The current person there may be very knowledgable. However, he/she does have their own life as well. You never know when they will move, change jobs, just not want to do it anymore etc... Having a console that is easy to learn is not a bad thing at all and certainly does not mean that people will just walk up and mix on it. When dealing with digital large format consoles what this means is that it is laid out well enough and is easy enough to use that a QUALIFIED engineer can learn it fairly quickly and easily. Hopefully the church does not leave a console like that in an area where just any old person can get to it. That would be foolish and be inviting trouble. Plus, the digi racks are not all that quiet so it would be good to have the console somewhat isolated in an environment where that noise could be of issue.
Before you start spouting off a bunch of crap about "have you used it" or something here is a quick list of consoles that I HAVE used in live settings....
Yamaha - PM5D,
PM4000, PM3500, PM3000,
PM1800, PM1000, MG Series, Mseries, M7CL, DM2000, DM1000, O2R and 01V.
Allen Heath - ML5000, ML3000,
GL4000, GL4, GL3000, GL3, Mix Wiz
Soundcraft - Series 5, Series 2, Venue, Delta series, K series, Ghost, GB series, MH4
Digico D5
Innovason Grand, Compact, and Grand Live
Wheatstone ?
Mackie - pretty much all of them except
the TT24.
Behringer - several models I am trying to forget
Midas - XL4, H3000,
H1000,
XL200, Verona, Sienna, Venice,
XL250
Oh yeah..... and the DIGIDESIGN VENUE
BTW, I did also recommend looking into a Digidesign Profile. On quick search I found a place that sells them and in their description is...
Digidesign D-Show Profile System
Up to 96 inputs, small footprint, fully compatible with all VENUE hardware, ideal for houses of worship, theaters, nightclubs, corporate events, & remote broadcasts.
Kind of seems like maybe this is more appropriate and that maybe the Venue is overkill eh?