B
bigbubba
New member
So at the guitar center the July 4th sale was going on.
I decided to buy an acoustic that I had wanted for a while. And gave me a chance to test the mic also.
This is my Yamaha acoustic mic'd. Any opinions on the sound and mic'ing technique are welcome. Anything you'd like to share about mic'ing acoustics are cool.
You can hear the click track (a drum track) and the bad playing. Haven't played an acoustic in 6-7 years.
Will also be practicing more. The acoustic hurts my fingers after a while and I couldn't even finish this piece without messing up.
Acoustic Test Drive - http://www.soundclick.com/bands/songInfo.cfm?bandID=419303&songID=5529216
I decided to buy an acoustic that I had wanted for a while. And gave me a chance to test the mic also.
This is my Yamaha acoustic mic'd. Any opinions on the sound and mic'ing technique are welcome. Anything you'd like to share about mic'ing acoustics are cool.
You can hear the click track (a drum track) and the bad playing. Haven't played an acoustic in 6-7 years.
Will also be practicing more. The acoustic hurts my fingers after a while and I couldn't even finish this piece without messing up.
Acoustic Test Drive - http://www.soundclick.com/bands/songInfo.cfm?bandID=419303&songID=5529216
You got pretty good tone out of it. Mic placement ia both science and art. So far, the perfect touch has eluded me. But, you can try moving things aruond a little; some schools of thought have the mic pointed right at the sound hole, which can be boomy, some favor pointing at the 12th fret, which gets a lot of articulation but sometimes lacks "bigness", some favor down toward the brigde a bit, which can yield more even tone, but loses some of the fret articulation. Stereo setups combine placements; it's also a matter of taste. I don't think there's one right or wrong way, you have to adjust for the sound of each specific guitar...
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