Steenamaroo
...
Possibly. If not...certainly a 'friend' of ours.
Explain
Same guy I bet.
Hey, don't forget Tad. He's in on it too.
Nah, he's just jumping on our wagon.
We're the real badasses.
Nah, he's just jumping on our wagon.
We're the real badasses.
Well...all I can say is...I must be slipping.
I guess I've become gentler and softer the last couple of years, seeing how I too was always the one accused of trolling and bullying.
I'm going to have to up my game, or people might start calling me a "nice guy".
Instead of using such patriarchal and neo-classical mic deployments such as kick, snare and a pair of overheads, and thus having to deal with the restrictive OH-FK and OH-CY terminological proposed in this thread, I tend to cluster a bunch of mics in various more or less random locations and orientations around the kit.
As I'm miking the entire kit, this approach will henceforth be known as the Cluster-FK method, in honour of this thread.
I, sometimes, find myself wondering about the intent behind the word "troll'.
Is the intention "trawl" because it would fit? Is the intention the critter who used to live under the bridge and harrass the rather gruff trio of billygoats, (and where were the nanny goats may I ask?),?
I took OH literally and when recording my eKit I put a mic over my head. I also aimed a mic at the kick & snare pads. I noted some stranbge resonance from the mic over my head. A kind of echoy, roomy, boomy sound. I had to do a lot of EQing to get a usable sound from the tracks of the mic'd snare & kick pads.
My OH mic couldn't record the symbols. I had to revert to a video camera and the sound in that wasn't very good as the symbols weren't very loud.
I decided to put a sign in my song to make it clear that the cymbals were symbolic.
How do I describe my recording set up of 1 usb midday, 1 OH mic, 1 snare pad mic & 1 kick pad mic?
I've updated all of my past posts up through 2009 so far. How are the rest of you doing?