I couldn’t help but inject an opinion on the MXL 960. I’ve stayed away from Chinese-manufactured mics in the past (with good reason, IMO) but I had to jump at this one only because it’s so ridiculously cheap. When I received it I thought I’d do a comparison with the NTK since that mic is fairly ubiquitous and an exceptional value at $500.
First, the build quality of the 960 is good. It’s obviously modeled after the U47 so it’s quite large and weighs in at pretty close to two pounds. The internal components and wiring are neat, and the tube is mounted in a socket with rubber retainers at top and bottom. Overall internal and external workmanship are better than I had expected. It would be a difficult task to approach the same the level of build quality as that of the NTK at this price, but it’s good, nonetheless.
I used the (reasonably-priced but very good) Presonus Eureka recording channel and sent to
a DPS24. Since the NTK is bumped at 2-5kHz and again at 10kHz I was curious how the 960 was EQ’d. This mic is probably intended mostly for male vocal and acoustic guitar as it’s voiced similarly as the NTK, but has a considerable boost above 10kHz, so it has quite a bit more sparkle. As you approach the diaphragm (within 6”) the proximity effect becomes quite pronounced—more so than the NTK, and the vocals can get a bit honky (unlike the NTK), but at 8-10” it’s very nice indeed. The 960 is also just a little more sensitive than the NTK.
This has become more of a critique than I expected, but I am surprised at the quality of this mic. I don’t know how it compares to its MXL tube mic siblings as I’ve never used them, but if any of the opinions I’ve read that this mic is “darker” or “not as hyped” are true I’d have to say that MXL did the right thing by taming it a bit. The NTK would probably be a better general-duty condenser (slightly flatter, better SPL) but the 960 is inspiring and an unbelievable deal under $200.
BTW, re the poll—what’s “tubey” sound like?
