T
The Green Hornet
New member
OK folks: No more arguments. Here is what the Green Hornet got from Yamaha.
I just knew that a 1k price difference had to mean some basic differences between the two units.
I am quoting the E-mail I got from Yamaha. Nothing subjective.
"1. Automix and moving faders. The 2816 has a built in automix and the faders move so that you can always know what the levels are when you switch betwen mixing layers. You can automate the AW16 through a MIDI sequencer but the faders will not move.
2. A card slot. The card slot allows you to add an analog or digital card to the 2816. This would allow you to transfer and receive 8 tracks at a time from ADATS, Prom Tools, Tascam units, etc. Just get the right optional card and you can do this. The card slot can also be used for an optional effects card to add more effects than what it comes with. The AW16G has no card slot.
3. Omni Outs. The 2816 has 4 Omni outputs which could be used for external effects, monitors, sends to a headphone box, etc. The AW16G has hno Omni Outs.
4. A larger LCD screen.
5. A digital coaxial output instead of two channel optical. Two channel optical (the AW16G) is typically used on CONSUMER LEVEL GEAR while the Digital Coaxial (2816) is more typical of PRO AUDIO GEAR.
6. tHE 2816 CAN RECORD AT 24 Bit. The AW16G, although it does have 24 bit converters, records at 16 bit.
The 2816 is a better unit and, in my opinion, defintely worth the extra 1000 dollars. However, if you don't need any of the extra features that the 2816 has, then the AW16 would still work just fine. The QUESTION IS whether or not you need the extra features that the 2816 has." [end of direct quote from Yamaha]
There it is folks. I wish I had written to Yamaha 22 posts prior to the excerbation of the thread with, "who was it?" Orbeger!
Green Hornet

I just knew that a 1k price difference had to mean some basic differences between the two units.
I am quoting the E-mail I got from Yamaha. Nothing subjective.
"1. Automix and moving faders. The 2816 has a built in automix and the faders move so that you can always know what the levels are when you switch betwen mixing layers. You can automate the AW16 through a MIDI sequencer but the faders will not move.
2. A card slot. The card slot allows you to add an analog or digital card to the 2816. This would allow you to transfer and receive 8 tracks at a time from ADATS, Prom Tools, Tascam units, etc. Just get the right optional card and you can do this. The card slot can also be used for an optional effects card to add more effects than what it comes with. The AW16G has no card slot.
3. Omni Outs. The 2816 has 4 Omni outputs which could be used for external effects, monitors, sends to a headphone box, etc. The AW16G has hno Omni Outs.
4. A larger LCD screen.
5. A digital coaxial output instead of two channel optical. Two channel optical (the AW16G) is typically used on CONSUMER LEVEL GEAR while the Digital Coaxial (2816) is more typical of PRO AUDIO GEAR.
6. tHE 2816 CAN RECORD AT 24 Bit. The AW16G, although it does have 24 bit converters, records at 16 bit.
The 2816 is a better unit and, in my opinion, defintely worth the extra 1000 dollars. However, if you don't need any of the extra features that the 2816 has, then the AW16 would still work just fine. The QUESTION IS whether or not you need the extra features that the 2816 has." [end of direct quote from Yamaha]
There it is folks. I wish I had written to Yamaha 22 posts prior to the excerbation of the thread with, "who was it?" Orbeger!
Green Hornet








