
Nicole_Rose
Great White North Girl
I've come across the term "XY recording" several times, but i have no idea what it means. Would someone be so kind as to explain? thanks
BigRay said:do yourself a favor.
read all of these books.
Must Read Books...Also, be sure to peruse the the Audio Engineering Society's Internet Archive. (AES)...there is a fee, but it is well worth it. http://www.aes.org/e-lib/ I have learned a lot from snooping around there..
http://www.saecollege.de/reference_material/index.html
Sound Recording Handbook
Master Handbook of Acoustics
Behind The Glass
Total Recording
Tape Recorders
Sound recording practice
Professional Microphone Techniques
Principles of Digital Audio
The New Stereo Soundbook
The Microphone book
On Location Recording Techniques
Electroacoustical Reference Handbook
Audio Engineering
Handbook of Recording Engineering
Audio Dictionary
Handbook of Recording Engineering
From tinfoil to Stereo, a history of recording
Yamaha Sound Reinforcement Handbook
Mastering Audio
The Mixing Engineer's Handbook
Armistice said:Gee.... and all this time I thought it referred to the chromosomal makeup of the recording person...
There's a lot of XY recording going on around here Nicole, not much XX - this raises the further question of whether a female can successfully utilise the previously mentioned XY mic technique or whether it's an abnormality / sport / variant available only to those of the male gender...
Let us know how you go, please.
Welcome to the board Nicole and in particular the mic forum, where too much misinformation is barely enough! There be monsters ahead...
Cheers![]()
Of course we have; we knew you'd be better at it than us.Nicole_Rose said:throughout history men have said that women couldn't or shouldn't do whatever fun thing it was that men were doing.
Arrowhen said:Of course we have; we knew you'd be better at it than us.
I'm assuming you mean mono tracks panned left-ish and righ-ish to simulate stereo? Things that have been mic'd in true stereo (XY, ORTF, etc.) are meant to be hard panned L and R.--- to keep the original stereo spread.Micter said:Hard panning doesn't create a stereo image but two mono images so to speak. Panning at 85 L/R (or so) will give you a true stereo imagery. It's the overlap.![]()
If you used ORTF or a spaced pair (not as mono compatible) you can reduce gain a bit on one side of a stereo track to "place" it where you want in the L/R soundstage. Avoids phase problems. I do that with multitracked acoustic guitar duets sometimes, but usually prefer the sound I get when tracking in mono and just panning to, say, 10 and 2 o'clock.cello_pudding said:hmmm...if you have more than 1 thing being stereo mic'd in a mix. how would you pan?
Micter said:Hard panning doesn't create a stereo image but two mono images so to speak. Panning at 85 L/R (or so) will give you a true stereo imagery. It's the overlap.![]()
Timothy Lawler said:I'm assuming you mean mono tracks panned left-ish and righ-ish to simulate stereo? Things that have been mic'd in true stereo (XY, ORTF, etc.) are meant to be hard panned L and R.--- to keep the original stereo spread.
Tim
Sure.Nicole_Rose said:simulate stereo? does that mean there are ways to fake stereo images?